RafaelFajardo

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  • October 3, 2015
  • Ridley Scott is seventy-seven years old, yet the startling fact is that “The Martian” appears to be the work of a young man. When Watney, having made contact with Earth, states that he is “really looking forward to not dying,” he speaks for the whole production, which thrums with an appetite for life. It can’t…

    October 2, 2015
  • Ridley Scott is seventy-seven years old, yet the startling fact is that “The Martian” appears to be the work of a young man. When Watney, having made contact with Earth, states that he is “really looking forward to not dying,” he speaks for the whole production, which thrums with an appetite for life. It can’t…

    October 2, 2015
  • As professionals, my colleagues and I have had the experience of walking through the galleries after hours when the lights are off, a truly magical and privileged moment. The familiar paintings and sculptures are there like silent beings in the night, asleep but physically present. Shut down my video installations for the night, however, and…

    September 30, 2015
  • As professionals, my colleagues and I have had the experience of walking through the galleries after hours when the lights are off, a truly magical and privileged moment. The familiar paintings and sculptures are there like silent beings in the night, asleep but physically present. Shut down my video installations for the night, however, and…

    September 30, 2015
  • merlin: Be Bop Deluxe – “Maid In Heaven” (Live; Old Grey Whistle Test; 1975) [This is the resuscitated and link-repaired re-re-repost of something from (yikes) five years ago.] Okay. So, I still haven’t stopped listening to this goddamned song (via the original Futurama version) as well as watching this video. Again, repeatedly. And, it was…

    September 30, 2015
  • merlin: Be Bop Deluxe – “Maid In Heaven” (Live; Old Grey Whistle Test; 1975) [This is the resuscitated and link-repaired re-re-repost of something from (yikes) five years ago.] Okay. So, I still haven’t stopped listening to this goddamned song (via the original Futurama version) as well as watching this video. Again, repeatedly. And, it was…

    September 30, 2015
  • “The mice who received the implants are thriving and while today they need to be connected by a wire to the computer so their brain activity can be monitored, in the future this could be wireless, and the same technique could be used to integrate an electric mesh with a human brain.  The research, entitled…

    September 29, 2015
  • Likewise, what passed largely unnoticed in Paul Chan’s production of Waiting for Godot in New Orleans was Chan’s peculiar positioning of the artist in relation to the work: he did not write the play, direct it, or act in it. The set was essentially a city street. Chan’s artistic involvement consisted largely of spending many…

    September 29, 2015
  • Likewise, what passed largely unnoticed in Paul Chan’s production of Waiting for Godot in New Orleans was Chan’s peculiar positioning of the artist in relation to the work: he did not write the play, direct it, or act in it. The set was essentially a city street. Chan’s artistic involvement consisted largely of spending many…

    September 29, 2015
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • What I did with my June
  • Block Coding in Godot 2
  • my first Godot project
  • Block-based programming comes to Godot!
  • scattered brain

Categories

  • books
  • code drawings
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum