RafaelFajardo

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  • Capitalism, casinos and free choice [2014]

    mostlysignssomeportents: Tim “Undercover Economist” Harford’s column “Casinos’ worrying knack for consumer manipulation,” takes a skeptical look at business and markets — specifically their reputation for offering a fair trade between buyers and sellers. Inspired by Natasha Dow Schüll’s book Addiction by Design: Machine Gambling in Las Vegas, a 2012 book on the calculated means by…

    January 15, 2015
  • good: When Does Domestic Terrorism Go Unnoticed? When the Victims are Black.

    January 15, 2015
  • The fact that colonialism is so central to science-fiction, and that science-fiction is so central to our own pop culture, suggests that the colonial experience remains more tightly bound up with our political life and public culture than we sometimes like to think. Sci-fi, then, doesn’t just demonstrate future possibilities, but future limits—the extent to…

    January 15, 2015
  • Don’t wait for permission. If you’re doing creative work for the right reasons, you don’t’ need the validation of others to put yourself out there. That’s what the internet makes possible. Lest we forget, TNI started as a Tumblr. And love other women. The world wants you to find extraordinary women threatening. Undo that training.…

    January 15, 2015
  • todoelajo: it must be said that most of our efforts at addressing racism and sexism in higher education are framed as that of access/inclusion. this is hardly news. not only does the notion of ‘inclusion’ not fundamentally alter the frames of who is doing the including, and under what conditions; it also presumes mere adjustment…

    January 15, 2015
  • The beauty and mystery of the ethnographer’s quest is to find the unexpected stories that challenge our theories… We go to find the stories we didn’t know we were looking for in the first place. Ruth Behar, “Ethnography and the book that was lost.” Ethnography, 2003 (via actuallyvirtual)

    January 15, 2015
  • January 15, 2015
  • Disarming, too, is the show’s youngest artist, the twenty-eight-year-old Colombian art-market phenomenon Oscar Murillo, who shows stitched-together, furiously scribbled and slathered, uncannily elegant abstractions Is There Anything Left to Paint?

    January 14, 2015
  • Video games are more prone than other media to obsolescence. With each new generation of hardware and software, scores of titles are made unplayable. Music has suffered similarly, of course: vinyl morphed into cassette into CD into digital audio. But music, like films and books, is easily transferred to new formats. Video games, which rely…

    January 14, 2015
  • fyprocessing: Every river in the United States Ben Fry and Fathom Design.

    January 14, 2015
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • What I did with my June
  • Block Coding in Godot 2
  • my first Godot project
  • Block-based programming comes to Godot!
  • scattered brain

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum