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Tenth anniversary edition of A Theory of Fun for Game Design
mostlysignssomeportents: Hard to believe it’s been ten years since the initial release of Raph Koster’s indispensable A Theory of Fun for Game Design, a book that does for game-design what Understanding Comics did for sequential art. Koster and O’Reilly have produced a tenth anniversary edition, which updates all the interior art (all-color, now!), and takes…
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Liberation theology, instead of legitimating the status quo, tries to read reality, history, and the Bible not from the side of the powerful, but from the side of the pain. Its beginning point is not sin management, but “Where is the suffering?” This makes all the difference in how we read the Bible. God sees…
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mondaymorningcenterback: Pele takes on Italy’s Giovanni Trapattoni in 1963.
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iandeleonarts: browntourage: SISTER MANTOS: “FIN DEL MUNDO” MUSIC VIDEO PREMIERE Sister Mantos is a psychedelic funk-punk electronic band based in LA by way of El Salvador. Today we premiere their new video for their song “Fin Del Mundo,” off of their California Peace Album– an intergalactic sci-fi fueled journey through the end of the Earth.…
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meandrzine: Issue 0 is nearly ready for release! that’s andreblyth’s game on the cover!!! so excited!!!
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Tweet from ME&R (@meandrzine)
ME&R (@meandrzine) tweeted at 4:28pm – 21 Feb 15: @meandrzine (the game featured on the cover there is the lovely vignette A Journey by @andre_blyth as you can’t see the credit on the back) (https://twitter.com/meandrzine/status/569277395531907072?s=17) Get the official Twitter app at https://twitter.com/download?s=18 ludo ergo sum
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Tweet from ME&R (@meandrzine)
ME&R (@meandrzine) tweeted at 4:16pm – 21 Feb 15: what’s that in the distance? Is it a teaser for ME&R ISSUEyeballs soon everyone! pic.twitter.com/PGatRgTYuW (https://twitter.com/meandrzine/status/569274381538607104?s=17) Get the official Twitter app at https://twitter.com/download?s=18 ludo ergo sum
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cinoh: The Luigi Bonotto collection [see below post] focuses on Fluxus and Experimental Poetry (Concrete, Visual and Sound), and bookworks from the Fluxus collection form the basis of an exhibition opening across two venues in Venice next month.
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In much of the 20th century, artists and critics were more or less in agreement about what constituted avant-garde practice, that is, how we understand what it means to be political or progressive. It entailed antagonism, corruption, dissemination — in general anything that helps to storm the bastions of power in order to fleece them…