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RafaelFajardo

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  • Literature’s business model explained, with special reference to the age of the Internet

    mostlysignssomeportents: What is particularly crucial to understand is that books were not dragged kicking and screaming into each new area of capitalism. Books not only are part and parcel of consumer capitalism, they virtually began it. They are part of the fuel that drives it. The growth of the chain model in books offered everyone…

    March 13, 2015
  • reluctantconquistador: Day 219: I’M SO PROUD OF MY PINK-TIED, VERY-HAIRED BRO AAAAAAAAAAAAAAAAAAAAA

    March 12, 2015
  • Hello Barbie: Hang on, this Wi-Fi doll records your child’s voice?

    Hello Barbie: Hang on, this Wi-Fi doll records your child’s voice? Toymaker Mattel has unveiled a high-tech Barbie that will listen to your child, record its words, send them over the internet for processing, and talk back to your kid. It will email you, as a parent, highlights of your youngster’s conversations with the toy.…

    March 12, 2015
  • directedbychuckjones: The many faces of Ralph Phillips.  Key pose, layout, and character study drawings by Chuck Jones for his 1957 short animated film, “Boyhood Daze”. 

    March 12, 2015
  • p5art: theimaginaryinstitute: View the high-quality gif – Get the source code One of the sites I recommend on my tutorials page is the ‘Imaginary Institute’. I liked its ‘total beginner’ approach a lot at the time and I also had a nice e-mail conversation with Mr Glassner about Bézier curves. He had very, very helpful…

    March 12, 2015
  • omg omg omg omg omg omg!!!!!!!!! They won!!!!!

    March 12, 2015
  • March 12, 2015
  • my son is up for a BAFTA Games Award. He is in the Ones To Watch category, TeamOK, and their game is Chambara. I’m on the edge of my seat and the live stream hasn’t started yet. You can follow on twitch.tv/bafta if you like.

    March 12, 2015
  • hyperallergic: Victor Moscoso picked up color theories while studying with Josef Albers at Yale University in the late 1950s, and soon turned that abstract harmony into a psychedelic friction. Pairing intense hues in a way that almost shakes your eyes — a “vibration” of colors — he majorly influenced the aesthetic of the acid-hued 1960s…

    March 12, 2015
  • nprplays: From KQED: In Violent Video Games, the Gameplay Sends its Own Message By Carolyn Petit We like to think that games that feature violence as a core mechanic can be critical of violence, and in fact a piece was recently published on Paste Magazine called 10 Violent Games That Comment on Violence. (Hotline Miami is…

    March 12, 2015
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Tunic – 03
  • Tunic – 02
  • Tunic 01
  • Discord may be taking our data
  • Yurupari documentary series

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum