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Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations. Architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this,…
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dobooks: Graphic Design, Exhibiting, Curating In recent years, graphic designers have become increasingly interested and engaged in the exhibition context as a space of production, mediation and dissemination. In June 2012, the international conference Graphic Design, Exhibiting, Curating brought together a number of graphic designers, curators and critics engaged in exhibition-making and curating. The proceedings…
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expressions-of-nature: Poppies in Antelope Valley, CA by brontis5
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prostheticknowledge: Face Capture Smartphone computational photography app Seene is working on a feature to scan your face in 3D without the need of additional sensors. These scans can then be used for 3D avatars or 3D printing, and should be out in a few months time: Seene has created a pipeline for high-resolution 3D face…
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hyperallergic: Looney Tunes as Muse
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It is about the learning, but it is also about the technology and the opportunities that it provides us. They are no longer separate. It’s not about the technology…or is it? (via gjmueller)
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Difference Engine 20th anniversary edition
mostlysignssomeportents: Hard to believe it’s been 20 years since the original publication of The Difference Engine, William Gibson and Bruce Sterling’s seminal cyberpunk alternate history about a Victorian England dominated by mechanical computers. I was privileged to write the introduction to this 20th Anniversary special edition, which also includes new material from Bill and Bruce…
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Ellsworth Kelly, Untitled – Green with Red, 1964-1965
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thedavidoreilly: ICYMI: these rigs are free to use. And a bunch are now compatible with Unity. 💙 http://davidoreilly.com/downloads (Source: http://blog.davidoreilly.com/)
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Cuteness is a way of aestheticizing powerlessness. It hinges on a sentimental attitude toward the diminutive and/or weak, which is why cute objects—formally simple or noncomplex, and deeply associated with the infantile, the feminine, and the unthreatening—get even cuter when perceived as injured or disabled. So there’s a sadistic side to this tender emotion, as…