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RafaelFajardo

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  • gallowhill: The Bandaged Orchestra during the Fluxus festival, arranged by Yoko Ono at Carnegie Recital Hall in 1965.

    June 26, 2015
  • In much the same way that PBS exists to make room for television shows that deserve to be seen but likely couldn’t help sell hamburgers or laundry detergent, there should be an arts fund – not a Patreon, not a Kickstarter, a legit fund – for video game creation. Some exist, here and there –…

    June 26, 2015
  • Mark Rothko, No 7, 1964 Ed note: This new-to-me, larger scan is less blue than the previous version which appears more blue center and brown outside, while this appears more neutral and purple but I suspect it’s more true as the other scans of no 7 I have seen resemble it more, and “pushing” Rothkos…

    June 26, 2015
  • America’s greatest shame in 2015 is not a piece of cloth. It’s that a black boy has a life expectancy five years shorter than a white boy. It’s that the net worth of the average black household in 2011 was $6,314, compared with $110,500 for the average white household, according to census data. It’s that…

    June 26, 2015
  • I open up the box in Vanitas every time I’m about to step off the train, because I need a reminder that every moment is magical, every object has something to say to me. Mattie Bricehttp://www.mattiebrice.com/more-than-representation/ (via taleoftales)

    June 26, 2015
  • Just because a game decided it’s a woman shooting a dude in the face doesn’t change why I feel disconnected from this medium. Mattie Bricehttp://www.mattiebrice.com/more-than-representation/ (via notgames)

    June 26, 2015
  • iandeleonarts: latinocaribbeanartists: Ian Deleón ¡Este Pueblo Tiene Sabor!, 2013. Inkjet print, 21 x 21 in (53 x 53 cm). These figurative logos for Hatuey beer (purchased by Bacardi from the original Cuban bottlers) and the Old Colony soft drink (marketed in Puerto Rico through Pepsi) are taken out of their consumer product contexts and placed against the sky…

    June 26, 2015
  • <blockquote>Social networks influence how ideas and beliefs can spread around a society. In this study, the University of Pennsylvania’s Damon Centola shows that networks that are very diffuse (left) make it hard for ideas to catch on, while networks with very strong group boundaries (right) make it almost impossible for ideas to spread. A network…

    June 25, 2015
  • Save the Date!  April 2-3 2016 somewhere special in NL  O yes! After exploring LGBTQ & Feminine Perspectives in 2014, and Ethnic Backgrounds in 2015, it’s time to prepare yourself for the next Games [4Diversity] Jam! The theme is still a BIG secret, but rest assured the jam will try to contribute to improved representation…

    June 25, 2015
  • Nigerians in Space: afrofuturist science fiction debut novel

    mostlysignssomeportents: This sounds good: Afrocyberpunk reviews the debut novel of Deji Olukotun, Nigerians in Space: “He wouldn’t hit golf balls like the American astronauts. He would squeeze out rhythms from a talking drum into the blackness between the stars. These were the drums of war and death, of celebration, the drums that had bonded the…

    June 25, 2015
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Tunic – 03
  • Tunic – 02
  • Tunic 01
  • Discord may be taking our data
  • Yurupari documentary series

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum