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RafaelFajardo

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  • Star Wars was not “just another blockbuster” – it was the first blockbuster. It was made in the hopes of commercial success, but it was also made in emulation of non-commercial avant-garde film. It was made by the first generation of film school graduates and reflects the self consciousness and confidence of a group steeped…

    December 20, 2015
  • Star Wars was not “just another blockbuster” – it was the first blockbuster. It was made in the hopes of commercial success, but it was also made in emulation of non-commercial avant-garde film. It was made by the first generation of film school graduates and reflects the self consciousness and confidence of a group steeped…

    December 20, 2015
  • 990000: newyorker: Owens’s upbringing was by no means conventional, despite his parents’ conservatism. His father’s interests ranged from Buddhism to astrology, and he did not allow a television in the house until Owens was sixteen. He required his son to read canonical works of literature and philosophy—Marcus Aurelius, Aristotle, Confucius—and to listen to classical music.…

    December 19, 2015
  • 990000: newyorker: Owens’s upbringing was by no means conventional, despite his parents’ conservatism. His father’s interests ranged from Buddhism to astrology, and he did not allow a television in the house until Owens was sixteen. He required his son to read canonical works of literature and philosophy—Marcus Aurelius, Aristotle, Confucius—and to listen to classical music.…

    December 19, 2015
  • hangingfire: suzeart: robothugscomic: New comic! (link to comic) In all of my workspaces I have been gendered as a woman, and all of these things have happened to me. . I find the more ‘technical’ or corporate the teams are, the more likely that the responsibility of ‘non essential labour’ in the office falls on…

    December 19, 2015
  • hangingfire: suzeart: robothugscomic: New comic! (link to comic) In all of my workspaces I have been gendered as a woman, and all of these things have happened to me. . I find the more ‘technical’ or corporate the teams are, the more likely that the responsibility of ‘non essential labour’ in the office falls on…

    December 19, 2015
  • ferestecdiary: Telegrama de Donald Judd dirigido a su madre en 1946 #pathos (en Mousse Magazine #46)

    December 18, 2015
  • ferestecdiary: Telegrama de Donald Judd dirigido a su madre en 1946 #pathos (en Mousse Magazine #46)

    December 18, 2015
  • Ada Lovelace: what would go into an Internet of Women’s Things?

    Ada Lovelace: what would go into an Internet of Women’s Things?

    December 17, 2015
  • Ada Lovelace: what would go into an Internet of Women’s Things?

    Ada Lovelace: what would go into an Internet of Women’s Things?

    December 17, 2015
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Tunic – 02
  • Tunic 01
  • Discord may be taking our data
  • Yurupari documentary series
  • Learning Pico-8

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum