Tag: Emergent Digital Practices

  • bashford: “InteractiveFabrication.com showcases work exploring Interactive Fabrication: interfaces and devices that take real-time input to fabricate physical form.” Some projects: shaper, trace-modeler, speaker

  • bashford: “InteractiveFabrication.com showcases work exploring Interactive Fabrication: interfaces and devices that take real-time input to fabricate physical form.” Some projects: shaper, trace-modeler, speaker

  • optimism monday, july 5, 2010 “The final thing I’d say about optimism is this. If we took the loopiest, most moonbeam-addled Californian utopian internet bullshit, and held it up against the most cynical, realpolitik-inflected scepticism, the Californian bullshit would still be a better predictor of the future. Which is to say that, if in 1994…

  • optimism monday, july 5, 2010 “The final thing I’d say about optimism is this. If we took the loopiest, most moonbeam-addled Californian utopian internet bullshit, and held it up against the most cynical, realpolitik-inflected scepticism, the Californian bullshit would still be a better predictor of the future. Which is to say that, if in 1994…

  • Between the techy exploits of net.art and internet art as we know it today is Neen, a computer-derived term popularised by Greek artist Miltos Manetas. Blending the words ‘new’ and ‘screen’, Neen artists are a heterogeneous movement in their own right, and continue to work through concerns of medium specificity, locating them in the limitations…

  • Between the techy exploits of net.art and internet art as we know it today is Neen, a computer-derived term popularised by Greek artist Miltos Manetas. Blending the words ‘new’ and ‘screen’, Neen artists are a heterogeneous movement in their own right, and continue to work through concerns of medium specificity, locating them in the limitations…

  • ishmaelhallin: Interview with Rui Guerra about online strategies for cultural spaces – we make money not art

  • ishmaelhallin: Interview with Rui Guerra about online strategies for cultural spaces – we make money not art