Reichardt, curator of the groundbreaking ICA exhibition “Cybernetic Serendipity” in 1968, considered Computer Art to be a movement in her 1971 book The Computer in Art. She compared it with Concrete Poetry in that it was international and motivated by the use of media, technique and method rather than ideology.[1] However, she had to acknowledge…

d-d-d: 携帯電話がマトリョーシカ人形のように大から小へと並べられたケータイのモデル：イザ！

d-d-d: 携帯電話がマトリョーシカ人形のように大から小へと並べられたケータイのモデル：イザ！

Ms. Huffington describes her ambivalence toward the appearance of new media in museums. She writes that museums are our place of departure and imagination, a respite from the rest of the world, and that social media as connection for connection’s sake is, in her words, pointless here. “At their best social media build community and…

Ms. Huffington describes her ambivalence toward the appearance of new media in museums. She writes that museums are our place of departure and imagination, a respite from the rest of the world, and that social media as connection for connection’s sake is, in her words, pointless here. “At their best social media build community and…

illillill: Gallery of the University of Florida Sparse Matrix Collection

illillill: Gallery of the University of Florida Sparse Matrix Collection

Hocking credits her success to aggressive self-promotion on her blog, Facebook and Twitter, word of mouth and writing in a popular genre — her books star trolls, vampires and zombies. And she’s making money. “To me, that was a price point that made sense for what I would be willing to spend on an e-book,”…