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RafaelFajardo

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  • Mexico’s Not-So-Favorite Son

    Mexico’s Not-So-Favorite Son fylatinamericanhistory: The painter José Clemente Orozco has always been less revered than his countryman Diego Rivera, but now many scholars are pushing for Orozco to be seen with fresh eyes.

    November 23, 2013
  • The ‪humanities‬ and social sciences are an essential part of undergraduate ‪education‬. Most successful careers, including in technology and engineering, do not result simply from technical knowledge. They require leadership skills, social and emotional intelligence, cultural understanding, a capacity for strategic decision-making and a global perspective. Put another way, success in life requires a sensibility…

    November 23, 2013
  • Metaphors are assistive devices for understanding. Frank Chimero. What Screens Want (via stoweboyd)

    November 23, 2013
  • kinetay: A man and two women lost at sea in a drifting small boat while remembering their past via flashbacks… Sometimes cited as the greatest of all Brazilian films, this 120-minute silent experimental feature by Mário Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of everyone from Sergei…

    November 23, 2013
  • cinoh: An envelope Emily Dickinson used to jot down thoughts is displayed in “Dickinson/Walser: Pencil Sketches.” It exemplifies writing meant to be legible to the person who produced it, not necessarily to others.

    November 23, 2013
  • so long as mining Bitcoins can earn you money and folding proteins can’t, it’s pretty clear which one is gonna get done. The World’s Most Powerful Computer Network Is Being Wasted on Bitcoin at Gizmodo (via blech)

    November 23, 2013
  • theatlantic: Japan’s Cutthroat School System: A Cautionary Tale for the U.S. “No Child Left Behind.” “Race to the Top.” The names suggest mobility, progress, moving on up and not falling back. The goal of education, according to these national education initiatives with their standards and testing, is forward motion and competitive advantage, progress and success,…

    November 23, 2013
  • isea2014 in Dubai Call for Artists

    isea2014 in Dubai Call for Artists Call for Artists ISEA2014 Dubai: Location NOVEMBER 2014 Open Call for Artworks Deadline for submissions: December 9, 2013Projected Date of Notification of Acceptance: February 23, 2014 Please propose your concepts for artworks to be on exhibit during ISEA2014 Dubai under the theme of Location. There will also be several…

    November 23, 2013
  • isea2014 in Dubai Call for Papers & Participation

    isea2014 in Dubai Call for Papers & Participation Call for Papers & Participation Deadline for submissions: December 9, 2013 Projected Date of Notification of Acceptance: February 23, 2014 Join us for complex conversations around the theme Location. Lectures, workshops, panel discussions, exhibitions, keynote presentations, and more will create a vibration in Dubai sure to be…

    November 23, 2013
  • A Q&A with Katie Salen

    A Q&A with Katie Salen Join Fast Company’s Anya Kamenetz for a live Q&A with the Executive Director of the Institute of Play on Friday, November 22nd at 12pm Eastern.

    November 22, 2013
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Tunic – 03
  • Tunic – 02
  • Tunic 01
  • Discord may be taking our data
  • Yurupari documentary series

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum