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RafaelFajardo

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  • publicartfund: Less than a week to see John Gerrard’s Solar Reserve at Lincoln Center!  The 28 by 24 foot frameless LED wall has captivated visitors and inspired hundreds of instagrams and tweets. This extraordinary digital simulation of a Nevada solar power plant changes in real time throughout the course of the exhibition, so that each image captured by the…

    November 25, 2014
  • When the developer Richard Hofmeier won the grand prize at the Independent Games Festival that year for Cart Life, he celebrated his win by spray painting the words “HOWLING DOGS” across his booth, replacing his game with hers and telling people to play it. “I don’t want to say that it’s fun or I love…

    November 25, 2014
  • This theme of interdependence is central to Iñupiat stories, no doubt born of the need to help one another in order to survive the harsh Alaskan conditions. It’s a message Never Alone seeks to impart through both its spoken narration (which has been recorded in Iñupiat) and the unspoken story communicated by its rules and…

    November 25, 2014
  • For more than three thousand years, the Iñupiat people of Alaska have passed on stories to their children. Like all enduring fiction, the stories deliver truths that transcend cultural shifts. They act as seeds of moral instruction and help to define and preserve the community’s identity. The story of Kunuuksaayuka, for example, is a simple…

    November 25, 2014
  • Szymon Bojko | 1917–2014

    ourrisd: Szymon Bojko, who brought his enormous love of art and life to RISD from 1984–2001, passed away on October 24, 2014 at age 97. He had been living in a nursing home outside of Warsaw, Poland for the past two years. Larger in spirit than his stature might suggest, the Polish scholar and art…

    November 24, 2014
  • kateoplis: Gabriel García Márquez’s archive, which contains manuscripts, notebooks, photo albums, correspondence and personal artifacts, including two Smith Corona typewriters and five Apple computers, is going to the University of Texas.

    November 24, 2014
  • historicallyaccuratesteve: maxistentialist: Maciej Cegłowski: In 1952, an American attaché in Moscow was innocently fiddling with his shortwave radio when he heard the voice of the American ambassador dictating letters in the Embassy, just a few buildings away. He immediately reported the incident, but though the Americans tore the walls out of the Ambassador’s office, they…

    November 24, 2014
  • historicallyaccuratesteve: maxistentialist: Maciej Cegłowski: In 1952, an American attaché in Moscow was innocently fiddling with his shortwave radio when he heard the voice of the American ambassador dictating letters in the Embassy, just a few buildings away. He immediately reported the incident, but though the Americans tore the walls out of the Ambassador’s office, they…

    November 24, 2014
  • Barthes goes so far as to define ideology as the process of colonization itself: the occupation, exploitation, incorporation, and hegemonic domination of meaning—by meaning. Chela Sandoval, Methodology of the Oppressed (via differentialmovement)

    November 24, 2014
  • November 24, 2014
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Tunic – 03
  • Tunic – 02
  • Tunic 01
  • Discord may be taking our data
  • Yurupari documentary series

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum