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RafaelFajardo

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  • nigga-are-you-even-kawaii: youareliterallybeingsorude: zodiacbaby: sixpenceee: Sonia Singh, from the island state of Tasmania in Australia, finds used Bratz fashion dolls and other dolls at second-hand shops. She then uses nail polish remover and eucalyptus oil to clean the dolls’ faces and remove their thick lipstick, heavy eye shadows and painted on eyes. She replaces it all…

    March 9, 2015
  • nevver: John Baldessari

    March 9, 2015
  • Karin found our Shepard Fairey original while purging some files.

    March 9, 2015
  • nevver: You artist attribution: Allie Pohl

    March 9, 2015
  • giancarlovolpe: zombiesatemygames: Let’s go on an adventure. Oh, I ♥️ this so

    March 8, 2015
  • Is a reputation economy really an economy?

    mostlysignssomeportents: Kevin Simler’s 2013 essay on the economics of social status is a great, enduring Sunday sort of longread that should be required of anyone contemplating using the phrase “reputation economy” in polite society. Contrary to my own views, Simler argues convincingly that you can have an economy based on status — that is, that…

    March 8, 2015
  • I think that using alien to describe otherness works,” says Reynaldo Anderson, a professor who writes about Afrofuturism. Anderson is one of many theorists who view the alien metaphor as one that explains the looming space of otherness perpetuated by the idea of race. “We’re among the first alien abductees, kidnapped by strange people who…

    March 8, 2015
  • I think that using alien to describe otherness works,” says Reynaldo Anderson, a professor who writes about Afrofuturism. Anderson is one of many theorists who view the alien metaphor as one that explains the looming space of otherness perpetuated by the idea of race. “We’re among the first alien abductees, kidnapped by strange people who…

    March 8, 2015
  • ‘Participant observation’ is not simply a research technique: it rests on the human capacity to form relationships, and it entails a struggle to maintain some degree of reflexive distance without violating those relationships. Gary Robinson, 2004 (via actuallyvirtual)

    March 8, 2015
  • ‘Participant observation’ is not simply a research technique: it rests on the human capacity to form relationships, and it entails a struggle to maintain some degree of reflexive distance without violating those relationships. Gary Robinson, 2004 (via actuallyvirtual)

    March 8, 2015
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Tunic – 03
  • Tunic – 02
  • Tunic 01
  • Discord may be taking our data
  • Yurupari documentary series

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum