RafaelFajardo

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  • nevver: You artist attribution: Allie Pohl

    March 9, 2015
  • giancarlovolpe: zombiesatemygames: Let’s go on an adventure. Oh, I ♥️ this so

    March 8, 2015
  • Is a reputation economy really an economy?

    mostlysignssomeportents: Kevin Simler’s 2013 essay on the economics of social status is a great, enduring Sunday sort of longread that should be required of anyone contemplating using the phrase “reputation economy” in polite society. Contrary to my own views, Simler argues convincingly that you can have an economy based on status — that is, that…

    March 8, 2015
  • I think that using alien to describe otherness works,” says Reynaldo Anderson, a professor who writes about Afrofuturism. Anderson is one of many theorists who view the alien metaphor as one that explains the looming space of otherness perpetuated by the idea of race. “We’re among the first alien abductees, kidnapped by strange people who…

    March 8, 2015
  • I think that using alien to describe otherness works,” says Reynaldo Anderson, a professor who writes about Afrofuturism. Anderson is one of many theorists who view the alien metaphor as one that explains the looming space of otherness perpetuated by the idea of race. “We’re among the first alien abductees, kidnapped by strange people who…

    March 8, 2015
  • ‘Participant observation’ is not simply a research technique: it rests on the human capacity to form relationships, and it entails a struggle to maintain some degree of reflexive distance without violating those relationships. Gary Robinson, 2004 (via actuallyvirtual)

    March 8, 2015
  • ‘Participant observation’ is not simply a research technique: it rests on the human capacity to form relationships, and it entails a struggle to maintain some degree of reflexive distance without violating those relationships. Gary Robinson, 2004 (via actuallyvirtual)

    March 8, 2015
  • This talk addresses some of the changes that have both pitched artists industry-wide into a debt-driven milieu and simultaneously worked against shared ideals of criticality and cooperative organizing; It points out, however, that these more collaborative tendencies are always latent and subject to reawakening. School, Debt, Bohemia: on the Disciplining of Artists | THE ARTIST…

    March 8, 2015
  • This talk addresses some of the changes that have both pitched artists industry-wide into a debt-driven milieu and simultaneously worked against shared ideals of criticality and cooperative organizing; It points out, however, that these more collaborative tendencies are always latent and subject to reawakening. School, Debt, Bohemia: on the Disciplining of Artists | THE ARTIST…

    March 8, 2015
  • tebeosforyanquis: Ten Spanish comics published in 2014 that I’d really love to get my hands on. Rosana Antolí, Pareidolia (Ponent) Ángela Cuéllar & Jonás Aguilar, 7 Vidas (Dibbuks) Andrés G. Leiva, Serie B (Dibbuks) José Luis Munuera, Los Campbell. Infierno (Dibbuks) Keko & Antonio Altarriba, Yo, Asesino (Norma) Javier Olivares & Santiago García, Las Meninas…

    March 8, 2015
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Discord may be taking our data
  • Yurupari documentary series
  • Learning Pico-8
  • What I did with my June
  • Block Coding in Godot 2

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum