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Burka: It’s very bizarre to be working on a game. It’s not something I really expected to be doing. The game is coming along really well. I’m really excited about it. I joined in October when the project was already fairly started, and for the last month we’ve been building a lot of disparate tools—all…
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Burka: It’s very bizarre to be working on a game. It’s not something I really expected to be doing. The game is coming along really well. I’m really excited about it. I joined in October when the project was already fairly started, and for the last month we’ve been building a lot of disparate tools—all…
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Breaking the Frame: Olafur Eliasson’s Art, Merleau-Ponty’s Phenomenology, and the Rhetoric of Eco-Activism – Art and Education
Breaking the Frame: Olafur Eliasson’s Art, Merleau-Ponty’s Phenomenology, and the Rhetoric of Eco-Activism – Art and Education
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Breaking the Frame: Olafur Eliasson’s Art, Merleau-Ponty’s Phenomenology, and the Rhetoric of Eco-Activism – Art and Education
Breaking the Frame: Olafur Eliasson’s Art, Merleau-Ponty’s Phenomenology, and the Rhetoric of Eco-Activism – Art and Education
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Delaunay triangulation – Wikipedia, the free encyclopedia
Delaunay triangulation – Wikipedia, the free encyclopedia
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Delaunay triangulation – Wikipedia, the free encyclopedia
Delaunay triangulation – Wikipedia, the free encyclopedia
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paperbits: tree.growth.redux by Christian Flaccus Munich designer Christian Flaccus used my tree.growth source code to create this amazing print, which shows all of the source code used to render the tree. It’s giant – about 84 x 120cm, and is printed at 400dpi.
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paperbits: tree.growth.redux by Christian Flaccus Munich designer Christian Flaccus used my tree.growth source code to create this amazing print, which shows all of the source code used to render the tree. It’s giant – about 84 x 120cm, and is printed at 400dpi.