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RafaelFajardo

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  • As young people express themselves with Scratch, they begin to think of themselves differently, just as they do when they learn to write. The Brazilian educator Paulo Freire recognized that writing is more than just a practical skill. He led literacy campaigns in poor communities not simply to help people get jobs, but to help…

    December 10, 2015
  • As young people express themselves with Scratch, they begin to think of themselves differently, just as they do when they learn to write. The Brazilian educator Paulo Freire recognized that writing is more than just a practical skill. He led literacy campaigns in poor communities not simply to help people get jobs, but to help…

    December 10, 2015
  • Is the cover of chapter 2 of Habitat traditional or digital art? Looks traditional to me but sometimes it is hard to tell.

    simon-roy: All the art for habitat starts with traditional ink and pen, but is colored digitally like so:  Inks A file i made in 2010 thats a bunch of layered inkwash textures gets dropped on there A layer mask gets applied to that and i erase and render away where the light falls, to define…

    December 10, 2015
  • Is the cover of chapter 2 of Habitat traditional or digital art? Looks traditional to me but sometimes it is hard to tell.

    simon-roy: All the art for habitat starts with traditional ink and pen, but is colored digitally like so:  Inks A file i made in 2010 thats a bunch of layered inkwash textures gets dropped on there A layer mask gets applied to that and i erase and render away where the light falls, to define…

    December 10, 2015
  • criterioncollection: In 1978, Les Blank hosted Akira Kurosawa in the Bay Area. Wim Wenders was there too, shooting photographs like the one pictured here. to the attention of @reluctantconquistador and @estebanfajardo

    December 10, 2015
  • criterioncollection: In 1978, Les Blank hosted Akira Kurosawa in the Bay Area. Wim Wenders was there too, shooting photographs like the one pictured here. to the attention of @reluctantconquistador and @estebanfajardo

    December 10, 2015
  • yoga ball sofa speculation F/LOSS sensored yoga ball sofa speculation what does this type of sofa ask of me? what does it want to know from me, from its surroundings? can I responsibly source materials when this sofa calls on me to bring it to light? does the sofa care?

    December 4, 2015
  • yoga ball sofa speculation F/LOSS sensored yoga ball sofa speculation what does this type of sofa ask of me? what does it want to know from me, from its surroundings? can I responsibly source materials when this sofa calls on me to bring it to light? does the sofa care?

    December 4, 2015
  • progress report I’m thinking of scrapping the visual work I’ve created and starting over with much smaller and much more gestural figure drawings.

    December 4, 2015
  • progress report I’m thinking of scrapping the visual work I’ve created and starting over with much smaller and much more gestural figure drawings.

    December 4, 2015
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Tunic – 02
  • Tunic 01
  • Discord may be taking our data
  • Yurupari documentary series
  • Learning Pico-8

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum