RafaelFajardo

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  • daveortega: #zapata #comics

    March 18, 2016
  • whitneymuseum: Flashback Friday: Here’s a look back to our opening at the Breuer building in September 1966.  The Met Breuer opens today! Love to our friends and colleagues at the Metropolitan Museum of Art.

    March 18, 2016
  • whitneymuseum: Flashback Friday: Here’s a look back to our opening at the Breuer building in September 1966.  The Met Breuer opens today! Love to our friends and colleagues at the Metropolitan Museum of Art.

    March 18, 2016
  • A Google search provides the appearance of transparent and open results – of freely aggregated content. In reality, it produces ‘informed’ outcomes which are actually highly selective so that people make choices from among a limited set of options. Linguist and philosopher Noam Chomsky wrote in 1989 that in democratic systems ‘necessary illusions’ with regard…

    March 18, 2016
  • A Google search provides the appearance of transparent and open results – of freely aggregated content. In reality, it produces ‘informed’ outcomes which are actually highly selective so that people make choices from among a limited set of options. Linguist and philosopher Noam Chomsky wrote in 1989 that in democratic systems ‘necessary illusions’ with regard…

    March 18, 2016
  • Why do you have to destroy full lyrics notebooks? Space concerns or contractual obligations or compulsions or?

    johndarnielle: Because of the possibility, however remote in the near term, of somebody besides me getting their hands on them: at that point, they’ll “share” (=make publicly available forever) them. To me personally the publication of people’s work posthumously without their explicit permission is horrifying – obviously, there are plenty of social evils worse, I don’t…

    March 18, 2016
  • Why do you have to destroy full lyrics notebooks? Space concerns or contractual obligations or compulsions or?

    johndarnielle: Because of the possibility, however remote in the near term, of somebody besides me getting their hands on them: at that point, they’ll “share” (=make publicly available forever) them. To me personally the publication of people’s work posthumously without their explicit permission is horrifying – obviously, there are plenty of social evils worse, I don’t…

    March 18, 2016
  • killscreen: Chambara aims to capture the tension of samurai films Allow me a proud papa moment. My son is the lead designer on Chambara. An early version won the BAFTA Ones To Watch award for the team a year ago.

    March 18, 2016
  • killscreen: Chambara aims to capture the tension of samurai films Allow me a proud papa moment. My son is the lead designer on Chambara. An early version won the BAFTA Ones To Watch award for the team a year ago.

    March 18, 2016
  • I was a young black man, light-skinned enough so that four out of five people who met me, of whatever race, assumed I was white… I was a homosexual who now knew he could function heterosexually. And I was a young writer whose early attempts had already gotten him a handful of prizes… So, I…

    March 18, 2016
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Discord may be taking our data
  • Yurupari documentary series
  • Learning Pico-8
  • What I did with my June
  • Block Coding in Godot 2

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum