RafaelFajardo

    • about
    • Dossier_2023
    • Dr Manhattan
    • for UCLA
    • micro- nano- RPGs
    • Print Inventory
  • (via 22-foot-tall polystyrene robot sculpture takes a swab at packaging waste)

    February 10, 2012
  • paperbits: Cat ears terminal board, from build instruction photos (Taken with instagram)

    February 10, 2012
  • The outrage is tiresome and deeply hypocritical, in all the tiresome ways you’ve been tired out by before. M.I.A. was illustrating her line, acting out the attitude of the words: performing. Fine, it may not be legal to flip the bird on television, but that’s simply a remnant of the fifties we haven’t shaken. Unless…

    February 9, 2012
  • The outrage is tiresome and deeply hypocritical, in all the tiresome ways you’ve been tired out by before. M.I.A. was illustrating her line, acting out the attitude of the words: performing. Fine, it may not be legal to flip the bird on television, but that’s simply a remnant of the fifties we haven’t shaken. Unless…

    February 9, 2012
  • criticaltoys: My Artist’s talk was tonight at the Victoria Myhren Gallery at the University of Denver. Shown are the Yellow Narcosubmarine and the Juan Valdez (in)Action Figures.

    February 9, 2012
  • criticaltoys: My Artist’s talk was tonight at the Victoria Myhren Gallery at the University of Denver. Shown are the Yellow Narcosubmarine and the Juan Valdez (in)Action Figures.

    February 9, 2012
  • My Artist’s talk was tonight at the Victoria Myhren Gallery at the University of Denver. Shown are the Yellow Narcosubmarine and the Juan Valdez (in)Action Figures.

    February 9, 2012
  • All of Barthes’ work is an exploration of the histrionic or ludic; in many ingenious modes, a plea for savor, for a festive (rather than dogmatic or credulous) relation to ideas. For Barthes, as for Nietzsche, the point is not to teach us something in particular. The point is to make us bold, agile, subtle,…

    February 7, 2012
  • All of Barthes’ work is an exploration of the histrionic or ludic; in many ingenious modes, a plea for savor, for a festive (rather than dogmatic or credulous) relation to ideas. For Barthes, as for Nietzsche, the point is not to teach us something in particular. The point is to make us bold, agile, subtle,…

    February 7, 2012
  • (Source: https://player.vimeo.com/)

    February 7, 2012
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About us

Rafael Fajardo (he/him) is an artist, designer, researcher, and educator. Born in Colombia, he migrated with his parents to the United States in 1968 and grew up in San Antonio, Texas. Through his work with SWEAT, Rafael has been creating boundary-blurring videogames as an art form since 2000. Rafael has also collaborated with artists Adán De La Garza and Justin Ankenbauer under the moniker of Dizzy Spell to curate a series of pop-up artist game arcades.

https://rafaelfajardo.com/links.html

https://sudor.net

https://dizzyspell.xyz

Latest posts

  • Discord may be taking our data
  • Yurupari documentary series
  • Learning Pico-8
  • What I did with my June
  • Block Coding in Godot 2

Categories

  • books
  • code drawings
  • commissions
  • communities
  • games
  • toys
  • tumblr archive
  • words

RafaelFajardo

ludo ergo sum