Gabriel García Márquez—a Rebel Against Form, an Artist Against the Forces of Oblivion
The climax of One Hundred Years of Solitude is famously based on a true historical event that took place shortly after García Márquez’s birth: in 1928, in the Magdalena banana zone on Colombia’s Caribbean coast, not far from where the author was born, the Colombian military opened fire on striking United Fruit Company plantation workers, killing an unknown number. In the novel, García Márquez uses this event to capture the profane fury of modern capital, so powerful it not only can dispossess land and command soldiers but control the weather. After the killing, the company’s US administrator, “Mr. Brown,” summons up an interminable whirlwind that washes away not only Macondo but any recollection of the massacre. The storm propels the reader forward toward the novel’s famous last line, where the last descendant of the Buendía family finds himself in a room reading a gypsy prophesy: everything he knew and loved would be “wiped out by the wind and exiled from the memory of men…because races condemned to one hundred years of solitude did not have a second opportunity on earth.”
It’s a powerful parable of imperialism. But the real wonder of the book is not the way it represented the past, including Colombia’s long history of violent civil war, but how it predicted the future.
One Hundred Years of Solitude first appeared in Spanish in Buenos Aires in May 1967, a moment when it was not at all clear that the forces of oblivion had the upper hand. That year, the Brazilian Paulo Freire, in exile in Chile and working with that country’s agrarian reform, published his first book, Education as the Practice of Freedom, which kicked off a revolution in pedagogy that shook Latin America’s top-down, learn-by-rote-memorization school system to its core. The armed and unarmed New Left, in Latin America and elsewhere, seemed to be in ascendance. In Chile, the Popular Unity coalition would soon elect Salvador Allende president. In Argentina, radical Peronists were on the march. Even in military-controlled Brazil, there was a thaw. Che in Bolivia still had a few months left.
In other words, the doom forecast in One Hundred Years was not at all foregone. But within just a few years of the novel’s publication, the tide, with Washington’s encouragement and Henry Kissinger’s blessing, turned. By the end of the 1970s, military regimes ruled the continent and Operation Condor was running a transnational assassination campaign. Then, in the 1980s in Central America, Washington would support genocide in Guatemala, death squads in El Salvador and homicidal “freedom fighters” in Nicaragua.