the body, in its most visceral activation, is not only a surface of inscription, as foucault noted, but an instrument of writing, an inassimilable agent that constantly rewrites history back. andre lepecki, exhausting dance: performance and the politics of movement (via karaj)

the body, in its most visceral activation, is not only a surface of inscription, as foucault noted, but an instrument of writing, an inassimilable agent that constantly rewrites history back. andre lepecki, exhausting dance: performance and the politics of movement (via karaj)

Helvetica began life in 1957 as Neue Haas Grotesk, a comprehensive modernization of Akzidenz Grotesk from 1898. It was conceived by Eduard Hoffmann and executed by Max Miedinger for the Haas foundry in Münchenstein, near Basel, and renamed Helvetica (an amended form of Helvetia, the Latin name for Switzerland) in 1960. It was licensed to…

Helvetica began life in 1957 as Neue Haas Grotesk, a comprehensive modernization of Akzidenz Grotesk from 1898. It was conceived by Eduard Hoffmann and executed by Max Miedinger for the Haas foundry in Münchenstein, near Basel, and renamed Helvetica (an amended form of Helvetia, the Latin name for Switzerland) in 1960. It was licensed to…