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bookporn: Mario Vargas Llosa and his wife Patricia, Octavio Paz (behind her), Carlos Fuentes, Juan Carlos Onetti, Emir Rodríguez Monegal and Pablo Neruda. 1966
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Yeah, Sendak recognized that life is fraught, but that you’re resilient and that you’ll get through it somehow.… and told you so without becoming in any way moralistic. It was just really reporting on his own life experience. Art Spiegleman in The New Yorker. ART SPIEGELMAN DISCUSSES MAURICE SENDAK (via protoslacker)
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I am posting this here because I was talking to my students about the polarization in attitudes between work and play. I created a flippant, playful, neo-Calvinism based on Calvin and Hobbes to mark the contrast. In the age of industry of Calvin play is suspect. In the Ludic Age where neo-Calvinism is ascendant play…
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Anarchism for Fun and Profit
Anarchism for Fun and Profit Managing knowledge worker productivity is hard. The biggest problems is that it’s not even really clear what it is they’re doing. If you have a manual laborer, and his job is to make widgets, you can just count the widgets at the end of the day, and there you go.…
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theatlantic: Work Is Work: Why Free Internships Are Immoral The Labor Department’s guidelines require that internships must resemble an education rather than a job; that interns cannot work in the place of paid employees; that their their work not be of “immediate benefit” to an employer. If you’ve ever had an unpaid internship, you know…
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wilwheaton: arcaneimages: Gibson 2 Awwww, crap.
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blouinartinfo: Donald Judd’s bedroom, via sofiefr.
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karaj: thesubversivesound: Our central idea is the construction of situations, that is to say, the concrete construction of momentary ambiences of life and their transformation into a superior passional quality. -Guy Debord, Toward A Situationist International the construction of situations is such a crucial and delicate art.
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forgethowtotalk: Had some fun playing with Bézier curves in Processing today. The next step is making the recursion more attractive and orderly.
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artspotting: from Robert Filliou: From Political to Poetical Economy, Morris and Helen Belkin Gallery, University of British Columbia, Vancouver, 1996 via Stopping Off Place