Month: August 2015

  • Watching final Km of La Vuelta with my dad (at Parque Principal- Rivera, Huila)

  • Watching final Km of La Vuelta with my dad (at Parque Principal- Rivera, Huila)

  • How many containers per year leave active service in Maersk Line? 50,000–60,000 each year, and more in the coming years. The second life of containers (via iamdanw)

  • How many containers per year leave active service in Maersk Line? 50,000–60,000 each year, and more in the coming years. The second life of containers (via iamdanw)

  • The great debate: why galleries could take even more money from their artists

    The great debate: why galleries could take even more money from their artists Article presents many views of the tension between artists, gallerists, collectors, and the market the create together.

  • The great debate: why galleries could take even more money from their artists

    The great debate: why galleries could take even more money from their artists Article presents many views of the tension between artists, gallerists, collectors, and the market the create together.

  • It has been painful recently to watch intelligent, sensitive people in the arts from different racial, ethnic and gender backgrounds tear each other apart over the lack of diversity in a system that is oriented around the tastes and preferences of the (very white, very male, very rich) ruling class in the US. Artistic success…

  • It has been painful recently to watch intelligent, sensitive people in the arts from different racial, ethnic and gender backgrounds tear each other apart over the lack of diversity in a system that is oriented around the tastes and preferences of the (very white, very male, very rich) ruling class in the US. Artistic success…

  • In 2005, I already knew about this narrow MFA-to-market pipeline. I was in an anti-art fair at Parker’s Box in Williamsburg, wh ere I met a performance artist. He confided that he was the only person in his MFA cohort at Columbia who didn’t sell work in a recent open studio. He was the only…

  • In 2005, I already knew about this narrow MFA-to-market pipeline. I was in an anti-art fair at Parker’s Box in Williamsburg, wh ere I met a performance artist. He confided that he was the only person in his MFA cohort at Columbia who didn’t sell work in a recent open studio. He was the only…