{"id":38516,"date":"2011-02-23T02:17:57","date_gmt":"2011-02-23T02:17:57","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/between-the-techy-exploits-of-netart-and-internet-2\/"},"modified":"2018-12-06T14:50:18","modified_gmt":"2018-12-06T21:50:18","slug":"between-the-techy-exploits-of-netart-and-internet-2","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/between-the-techy-exploits-of-netart-and-internet-2\/","title":{"rendered":""},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-38516 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/between-the-techy-exploits-of-netart-and-internet-2\/attachment\/38517\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_lh1t1yV3Fd1qene28o1_500-100x100.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>Between the techy exploits of net.art and internet art as we know it today is Neen, a computer-derived term popularised by Greek artist Miltos Manetas. Blending the words \u2018new\u2019 and \u2018screen\u2019, Neen artists are a heterogeneous movement in their own right, and continue to work through concerns of medium specificity, locating them in the limitations of the computer screen in replicating real-life phenomena. Jellotime.com, a 2007 project by Dutch artist Rafa\u00ebl Rozendaal, finds a minimal vector graphic of a red jelly on a blue plate. When the site visitor scrolls the computer mouse over the jelly it jiggles, creating a \u2018boing!\u2019 sound, closely replicating a previously irreproducible phenomenon and thus gesturing toward the limitations of imaging technology. (Curiously, the site is immensely popular with an average 60,000 unique visits a month, while the total number of visits to all of Rozendaal\u2019s sites extends to approximately 1 million per month.) The artist has also become known for the use of art historical citation in web-based work: his 2010 site electricboogiewoogie.com depicts an animated image clearly inspired by Mondrian, in which its constituent parts interact in a snakes and ladders-style fashion. (via <a href=\"http:\/\/mapmagazine.co.uk\/map-24\/upfront\/report-internet-art-present-tense\/\">Report: Internet Art in the Present Tense (MAP #24 Winter 2010) | MAP Magazine<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Between the techy exploits of net.art and internet art as we know it today is Neen, a computer-derived term popularised by Greek artist Miltos Manetas. Blending the words \u2018new\u2019 and \u2018screen\u2019, Neen artists are a heterogeneous movement in their own right, and continue to work through concerns of medium specificity, locating them in the limitations [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[],"tags":[780,781,1539],"class_list":{"0":"post-38516","1":"post","2":"type-post","3":"status-publish","4":"format-gallery","5":"hentry","6":"tag-edp","7":"tag-emergent-digital-practices","9":"post_format-post-format-gallery"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-a1e","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/38516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=38516"}],"version-history":[{"count":1,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/38516\/revisions"}],"predecessor-version":[{"id":38520,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/38516\/revisions\/38520"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=38516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=38516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=38516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}