{"id":38430,"date":"2011-03-06T13:00:07","date_gmt":"2011-03-06T13:00:07","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/reichardt-curator-of-the-groundbreaking-ica-2\/"},"modified":"2018-12-06T14:50:04","modified_gmt":"2018-12-06T21:50:04","slug":"reichardt-curator-of-the-groundbreaking-ica-2","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/reichardt-curator-of-the-groundbreaking-ica-2\/","title":{"rendered":""},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-38430 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/reichardt-curator-of-the-groundbreaking-ica-2\/attachment\/38432\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_lhhw9vUJuz1qene28o1_250-100x100.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_lhhw9vUJuz1qene28o1_250-100x100.png 100w, https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_lhhw9vUJuz1qene28o1_250.png 155w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>Reichardt, curator of the groundbreaking ICA exhibition \u201cCybernetic Serendipity\u201d in 1968, considered Computer Art to be a movement in her 1971 book The Computer in Art. She compared it with Concrete Poetry in that it was international and motivated by the use of media, technique and method rather than ideology.[1] However, she had to acknowledge that it had produced no great masterpieces; instead she saw its importance as \u201cthe means of reformulating the boundaries and definitions of creative activity as a whole\u201d.[2] As with the exhibition, her book examines the many flowerings of experimental Computer artwork that took place throughout the 1960s. (via <a href=\"http:\/\/thesis.lambertsblog.co.uk\/?page_id=130\">Expectations of Computer Art in the 1960s \u00ab Computer Art Thesis<\/a><\/p>\n<p>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reichardt, curator of the groundbreaking ICA exhibition \u201cCybernetic Serendipity\u201d in 1968, considered Computer Art to be a movement in her 1971 book The Computer in Art. She compared it with Concrete Poetry in that it was international and motivated by the use of media, technique and method rather than ideology.[1] However, she had to acknowledge [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[],"tags":[780,1539,781],"class_list":{"0":"post-38430","1":"post","2":"type-post","3":"status-publish","4":"format-gallery","5":"hentry","6":"tag-edp","7":"tag-emergent-digital-practices","9":"post_format-post-format-gallery"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-9ZQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/38430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=38430"}],"version-history":[{"count":1,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/38430\/revisions"}],"predecessor-version":[{"id":38434,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/38430\/revisions\/38434"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=38430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=38430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=38430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}