{"id":37943,"date":"2011-09-21T17:43:27","date_gmt":"2011-09-21T17:43:27","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/a-second-reason-for-the-slow-response-is-that\/"},"modified":"2011-09-21T17:43:27","modified_gmt":"2011-09-21T17:43:27","slug":"a-second-reason-for-the-slow-response-is-that","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/a-second-reason-for-the-slow-response-is-that\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>A second reason for the slow response is that, unlike other industries, such as music and publishing, the art world wasn\u2019t forced to react to cultural shifts wrought by the Internet because its economic model wasn\u2019t devastated by them. The quality of Christian Marclay\u2019s The Clock (2010), for instance, isn\u2019t dependent on YouTube votes or the extent to which it circulates virally, and nor can one download and install a BitTorrent of a Rachel Harrison sculpture. The principles that keep the visual arts economy running \u2013 scarcity, objecthood and value conferred by authority figures such as curators and critics \u2013 make it less vulnerable to piracy and democratized media. The difference between these models belies a more fundamental opposition in values that might give us a third and final reason why the art district and the Internet are polarized: broadly speaking, the art world is vertical (escalating levels of privilege and exclusivity) whereas the web is horizontal (based on free access, open sharing, unchecked distribution, an economy of attention). Furthermore, technology is bound to what we could call a Modernist narrative of cultural progress, innovation and mastery, whereas art is no longer tied to this model. As the artist Michael Bell-Smith put it: \u2018Technology is about fixing problems, art is about creating them.<\/p><\/blockquote>\n<div class='attribution'><a href=\"http:\/\/www.frieze.com\/issue\/article\/down-the-line\/\">Frieze Magazine | Archive | Down the Line<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A second reason for the slow response is that, unlike other industries, such as music and publishing, the art world wasn\u2019t forced to react to cultural shifts wrought by the Internet because its economic model wasn\u2019t devastated by them. The quality of Christian Marclay\u2019s The Clock (2010), for instance, isn\u2019t dependent on YouTube votes or [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[1539],"class_list":["post-37943","post","type-post","status-publish","format-quote","hentry","tag-emergent-digital-practices","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6PWot-9RZ","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/37943","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=37943"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/37943\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=37943"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=37943"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=37943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}