{"id":35332,"date":"2013-03-08T14:36:28","date_gmt":"2013-03-08T14:36:28","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/while-right-to-query-the-impact-that-the-internet\/"},"modified":"2013-03-08T14:36:28","modified_gmt":"2013-03-08T14:36:28","slug":"while-right-to-query-the-impact-that-the-internet","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/while-right-to-query-the-impact-that-the-internet\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>While right to query the impact that the Internet has played in art production, Bishop \u2013 as pointed out by New Museum curator Lauren Cornell and critic Brian Droitcour in a letter published in Artforum\u2019s January issue \u2013 fails to realize the pertinent timing of her question. In response, she points out that she was limiting her analysis to the \u2018mainstream\u2019 art world rather than trying to provide an exhaustive survey of new forms of digital practice, which she admits are outside of her remit and expertise. To the few artists \u2013 such as Frances Stark, Thomas Hirschhorn and Ryan Trecartin \u2013 who Bishop notes are producing work that \u2018confronts the question of the digital\u2019, we might add a number of artists from a younger generation, all of whom make work that questions, uses or engages directly with the digital world that we find ourselves increasingly embedded within. Artists such as Trisha Baga, Lucas Blalock (who is featured in this issue), Simon Denny, Aleksandra Domanovi\u0107, Yngve Holen, Keller\/Kosmas (AIDS 3D), Oliver Laric, Katja Novitskova, Jon Rafman and Timur Si-Qin \u2013 to name but a few \u2013 all take the social condition afforded by the digital revolution as a primary subject.<\/p><\/blockquote>\n<div class='attribution'>\n<p><a href=\"http:\/\/www.frieze.com\/issue\/article\/net-gains\/\">Frieze Magazine | Net Gains: Claire Bishop versus the Internet<\/a><\/p>\n<p>The \u201cDigital Divide\u201d discussion rages on with a fairly tame and measured editorial in this month\u2019s Frieze.<\/p>\n<p>(via <a class=\"tumblr_blog\" href=\"http:\/\/towerofsleep.tumblr.com\/\">towerofsleep<\/a>)<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>While right to query the impact that the Internet has played in art production, Bishop \u2013 as pointed out by New Museum curator Lauren Cornell and critic Brian Droitcour in a letter published in Artforum\u2019s January issue \u2013 fails to realize the pertinent timing of her question. In response, she points out that she was [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[101,1539,1693,1694,1695],"class_list":["post-35332","post","type-post","status-publish","format-quote","hentry","tag-art","tag-emergent-digital-practices","tag-inertia","tag-myopia","tag-narrow-and-shallow-fields-of-vision","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-9bS","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/35332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=35332"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/35332\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=35332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=35332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=35332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}