{"id":33504,"date":"2013-12-19T17:37:00","date_gmt":"2013-12-19T17:37:00","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/xcoax-2014-2nd-international-conference-on\/"},"modified":"2013-12-19T17:37:00","modified_gmt":"2013-12-19T17:37:00","slug":"xcoax-2014-2nd-international-conference-on","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/xcoax-2014-2nd-international-conference-on\/","title":{"rendered":"xCoAx 2014: 2nd International Conference on Computation, Communication, Aesthetics and X (June 2014, Porto)"},"content":{"rendered":"<p>Extended deadline for submissions: 19 January 2014<\/p>\n<p>Dates: 26-27 June 2014<br \/>\nLocation: Porto, Portugal<br \/>\nWebsite: <a href=\"http:\/\/xcoax.org\/\">http:\/\/xcoax.org\/<\/a><\/p>\n<p>The development of computational tools and media has been radically transforming the landscape for the practice of the arts, of design and of numerous cultural manifestations. Recognizing this, xCoAx is designed as a multi-disciplinary enquiry on arts, computers, computation, communication and the elusive x factor that connects them all.<\/p>\n<p>xCoAx is a forum for the exchange of ideas and the discovery of new and valuable synergies. It is an event exploring the frontiers of digital arts with the participation of a diverse confluence of computer scientists, media practitioners and theoreticians, with a focus on the relations between what can and cannot be computed, what can and cannot be communicated, what is beautiful and how humans and computational systems intersect in the development of new directions in aesthetics.<\/p>\n<p>The first edition of xCoAx took place in 2013 in Bergamo, Italy. The 37 works presented \u2014 selected from a total of 114 submissions from 28 countries \u2014 are compiled in the proceedings book, available at <a href=\"http:\/\/2013.xcoax.org\">http:\/\/2013.xcoax.org<\/a>.<\/p>\n<p>Topics<\/p>\n<p>You are invited to submit theoretical, practical or experimental research work, and artworks that include but are not limited to the following topics:<br \/>\n* Computation<br \/>\n* Communication<br \/>\n* Aesthetics<br \/>\n* X<br \/>\n* Algorithms \/ Systems \/ Models<br \/>\n* Artificial Aesthetics<br \/>\n* Audiovisuals \/ Multimodality<br \/>\n* Creativity<br \/>\n* Design<br \/>\n* Interaction<br \/>\n* Games<br \/>\n* Generative Art \/ Design<br \/>\n* History<br \/>\n* Mechatronics \/ Physical Computing<br \/>\n* Music \/ Sound Art<br \/>\n* Performance<br \/>\n* Philosophy of Art \/ of Computation<br \/>\n* Technology \/ Ethics \/ Epistemology<\/p>\n<p>Important dates<\/p>\n<p>Submission deadline: 19 January 2014<br \/>\nNotifications: 16 March 2014<br \/>\nEarly registration of authors until: 11 April 2014<br \/>\nDelivery of final versions until: 11 April 2014<br \/>\nConference: 26-27 June 2014<\/p>\n<p>Additional information and submission details<\/p>\n<p>* All works must be submitted via EasyChair \u2014https:\/\/www.easychair.org\/conferences\/?conf=xcoax2014<br \/>\n* Submissions must be original and will be rigorously reviewed by an international and multidisciplinary scientific committee, in a process that will assess originality, relevance, aesthetic and technical achievements;<br \/>\n* The reviewing will be double-blind; please omit all information about the authors in the submissions;<br \/>\n* Papers may be 4 to 10 pages long, following the format in the Word template \u2014http:\/\/xcoax.org\/xcoax2014template.docx ;<br \/>\n* Artworks, performances and demos should be accompanied by a two-page short-paper formatted using the same template and by valid (and anonymous) URL for access to relevant media assets;<br \/>\n* Submissions should be presented as .pdf files with all the media files embedded or linked to online resources. Final versions for publication should be delivered in .docx with all the images and other media files attached as independent files;<br \/>\n* All images and media assets must be cleared for publication by the authors;<br \/>\n* At least one of the authors of each contribution must register to the conference before the first author registration deadline in order for the work to be published in the proceedings;<br \/>\n* xCoAx\u2019s working language is English;<br \/>\n* xCoAx\u2019s conference proceedings (with ISBN) will be published online;<br \/>\n* A selection of works from xCoAx 2014 will be published in a forthcoming special issue of CITAR\u2019s Journal of Science and Technology of the Arts  \u2014http:\/\/artes.ucp.pt\/citarj\/;<br \/>\n* Please contact the program chairs at info@xcoax.org with any questions regarding submissions.<\/p>\n<p>Conference format<\/p>\n<p>Day one: Conference and keynote.<br \/>\nPresentations will be organized in panels chaired by a moderator that will lead a final discussion with authors and audience. A guest keynote will close the day.<\/p>\n<p>Day two: Conference, artworks, demos, poster presentations and exhibition.<br \/>\nArtworks, demos and posters will be exhibited at various spaces in and around the conference venue. Presentations and discussion will be organized throughout the afternoon, networking authors and audience..<\/p>\n<p>Day two, evening: Performances<br \/>\nThe second day of xCoAx 2014 will include with an evening of performances at the unique space of the Monastery of S\u00e3o Bento da Vit\u00f3ria in Porto \u2014http:\/\/www.tnsj.pt\/home\/msbv\/index.php?intID=7&amp;intSubID=12<\/p>\n<p>Day two, night: Algorave<br \/>\nThe program will close with an Algorave club event, a dance party where algorithms are foregrounded.<br \/>\nWe welcome proposals of visual and music works suitable for this event, via the standard performance submission process.  <a href=\"http:\/\/algorave.com\">http:\/\/algorave.com<\/a><\/p>\n<p>Scientific committee<\/p>\n<p>Alessandro Ludovico, Neural \/ Academy of Art Carrara<br \/>\nAlex McLean, Interdisciplinary Center for Scientific Research in Music, University of Leeds<br \/>\nAlice Eldridge, University of Sussex<br \/>\nAlison Clifford, University of the West of Scotland<br \/>\n\u00c1lvaro Barbosa, University of Saint Joseph, Macao, China<br \/>\nAndr\u00e9 Rangel, CITAR \/ Portuguese Catholic University<br \/>\nAndreas Muxel, K\u00f6ln International School of Design, University of Applied Sciences Cologne<br \/>\nArne Eigenfeldt, Simon Fraser University<br \/>\nCarlos Guedes, New York University Abu Dhabi<br \/>\nChandler McWilliams, UCLA<br \/>\nChristian Faubel, Academy of Media Arts Cologne<br \/>\nChristoph Illing, sinuous.de<br \/>\nCretien Van Campen, Netherlands Institute for Social Research<br \/>\nCristina S\u00e1, CITAR \/ School of the Arts, Portuguese Catholic University in Porto<br \/>\nDaniel Schorno, STEIM<br \/>\nDiemo Schwarz, IRCAM<br \/>\nFrancesca Pasquali, University of Bergamo<br \/>\nFrancesco Monico, Ars Academy Research \/ Planetary Collegium<br \/>\nFrancisco Cardoso Lima, Independent Artist, Aveiro<br \/>\nHeitor Alvelos, ID+ \/ Faculty of Fine Arts, University of Porto<br \/>\nJo\u00e3o Cordeiro, University of Saint Joseph, Macao, China<br \/>\nJason Reizner, Faculty of Computer Science and Languages, Anhalt University of Applied Sciences<br \/>\nJon McCormack, Monash University<br \/>\nJulio d&#8217;Escriv\u00e1n, University of Huddersfield<br \/>\nKasia Glowicka, Royal Conservatory Brussels<br \/>\nKen Rinaldo, The Ohio State University<br \/>\nLia, Artist, Vienna \/ FH Joanneum, Graz<br \/>\nLu\u00eds Gustavo Martins, CITAR \/ Portuguese Catholic University<br \/>\nLu\u00eds Sarmento, Seattle<br \/>\nLu\u00edsa Ribas, ID+ \/ Faculty of Fine Arts, University of Lisbon<br \/>\nManuela Naveau, Ars Electronica<br \/>\nMario Verdicchio, University of Bergamo<br \/>\nMartin Kaltenbrunner, Kunstuniversit\u00e4t Linz<br \/>\nMaude Bonenfant, D\u00e9partement de Communication Sociale et Publique, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<br \/>\nMiguel Carvalhais, ID+ \/ Faculty of Fine Arts, University of Porto<br \/>\nMiguel Leal, i2ADS \/ Faculty of Fine Arts, University of Porto<br \/>\nMitchell Whitelaw, Faculty of Arts and Design, University of Canberra<br \/>\nMonty Adkins, University of Huddersfield<br \/>\nNathan Wolek, Stetson University<br \/>\nNicolas Makelberge, Symbio<br \/>\nNina Wenhart, Linz<br \/>\nNina Waisman, Lucas Artists\u2019 Program Visual Arts Fellow<br \/>\nPablo Garcia, School of the Art Institute of Chicago<br \/>\nPaulo Ferreira Lopes, Hochschule fur Musik Karlsruhe<br \/>\nPedro Cardoso, ID+ \/ Faculty of Fine Arts, University of Porto<br \/>\nPedro Tudela, i2ADS \/ Faculty of Fine Arts, University of Porto<br \/>\nPenousal Machado, University of Coimbra<br \/>\nPhilip Galanter, Texas A&amp;M University<br \/>\nRoxanne Leit\u00e3o, The Cultural Communication and Computing Research Institute, Sheffield Hallam University<br \/>\nRui Torres, Faculty of Human and Social Sciences, University Fernando Pessoa, Porto<br \/>\nSaskia Bakker, Eindhoven University of Technology<br \/>\nTeresa Dillon, Independent Curator, Artist, Research &amp; Educator<br \/>\nTim Boykett, Time&rsquo;s Up<br \/>\nTitus von der Malsburg, University of Potsdam<br \/>\nThor Magnusson, University of Brighton \/ ixi audio<\/p>\n<p>Organizing committee<\/p>\n<p>Andr\u00e9 Rangel, CITAR \/ Portuguese Catholic University<br \/>\nJason Reizner, Faculty of Computer Science and Languages, Anhalt University of Applied Sciences<br \/>\nMario Verdicchio, University of Bergamo<br \/>\nMiguel Carvalhais, ID+ \/ Faculty of Fine Arts, University of Porto (Conference Chair)<br \/>\nPedro Tudela, i2ADS \/ Faculty of Fine Arts, University of Porto<\/p>\n<p>Contacts<br \/>\ninfo@xcoax.org<br \/>\ntwitter: @xcoaxorg<br \/>\n<a href=\"http:\/\/facebook.com\/xcoax.org\">http:\/\/facebook.com\/xcoax.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Extended deadline for submissions: 19 January 2014 Dates: 26-27 June 2014 Location: Porto, Portugal Website: http:\/\/xcoax.org\/ The development of computational tools and media has been radically transforming the landscape for the practice of the arts, of design and of numerous cultural manifestations. Recognizing this, xCoAx is designed as a multi-disciplinary enquiry on arts, computers, computation, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[1539],"class_list":["post-33504","post","type-post","status-publish","format-standard","hentry","tag-emergent-digital-practices"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6PWot-8Io","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/33504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=33504"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/33504\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=33504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=33504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=33504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}