{"id":26230,"date":"2010-10-15T21:22:42","date_gmt":"2010-10-15T21:22:42","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/the-affect-of-animated-gifs-tom-moody-petra\/"},"modified":"2018-12-05T22:50:02","modified_gmt":"2018-12-06T05:50:02","slug":"the-affect-of-animated-gifs-tom-moody-petra","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/the-affect-of-animated-gifs-tom-moody-petra\/","title":{"rendered":""},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-26230 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/the-affect-of-animated-gifs-tom-moody-petra\/attachment\/26231\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_l7ttcgA1fi1qbup7mo1_500-100x100.gif\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><a href=\"http:\/\/artandeducation.net\/papers\/view\/14\">The Affect of Animated GIFs (Tom Moody, Petra Cortright, Lorna Mills) &#8211; Art and Education<\/a><\/p>\n<p>Since the early 1990s, artists have chosen the internet as a medium, an environment and a forum. While some internet artists also maintain a gallery practice, the conditions and conventions that inform meaning in online art remain in many ways distinct from those of the off-line artworld. Internet art \u2014 inherently ephemeral and infinitely reproducible \u2014 eludes commodification and largely operates independently of the art market.<sup>[1]<\/sup>\u00a0In the online environment where acts of creative self-expression are the norm, the boundaries between artists and not-artists that confer status and hierarchy in the gallery and museum system are largely immaterial. Even among niche groups of online practitioners who self-identify as artists, the culture of internet art regards the agency of the viewer on a par with that of the artist. In most cases, viewers are also producers. Many online artists, such as myself, operate through the medium of the blog format, which allows for a hybrid practice blending art production with art criticism, cross-promotion and dialogue.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Affect of Animated GIFs (Tom Moody, Petra Cortright, Lorna Mills) &#8211; Art and Education Since the early 1990s, artists have chosen the internet as a medium, an environment and a forum. While some internet artists also maintain a gallery practice, the conditions and conventions that inform meaning in online art remain in many ways [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[1131,851,101,1133,1130,1132,1134,1043],"class_list":["post-26230","post","type-post","status-publish","format-gallery","hentry","category-words","tag-affect","tag-animation","tag-art","tag-brian-massumi","tag-gif","tag-internet","tag-physiology","tag-psychology","post_format-post-format-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-6P4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/26230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=26230"}],"version-history":[{"count":1,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/26230\/revisions"}],"predecessor-version":[{"id":26232,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/26230\/revisions\/26232"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=26230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=26230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=26230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}