{"id":25718,"date":"2011-01-22T15:28:56","date_gmt":"2011-01-22T15:28:56","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/january-21-2011-130-pm-at-wesleyan-a-program\/"},"modified":"2011-01-22T15:28:56","modified_gmt":"2011-01-22T15:28:56","slug":"january-21-2011-130-pm-at-wesleyan-a-program","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/january-21-2011-130-pm-at-wesleyan-a-program\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>January 21, 2011, 1:30 PM<br \/>\nAt Wesleyan, a Program for Performance Art Curators<br \/>\nBy PATRICIA COHEN<br \/>\nAs the Institute for Curatorial Practice in Performance at Wesleyan University says, performance art \u201cis first and foremost a social experience that happens on a person-to-person level.\u201d That has not stopped the institute from creating a new professional certificate program in curating performance art that primarily occurs off-campus. The nine-month program, the first of its kind, is scheduled to begin this summer and is targeted at professionals with one to five years of experience. The course involves three short residencies. Danspace Project in New York City collaborated on the design and implementation of the program.<\/p><\/blockquote>\n<div class='attribution'><a href=\"http:\/\/artsbeat.blogs.nytimes.com\/2011\/01\/21\/at-wesleyan-a-program-for-performance-art-curators\/\">At Wesleyan, a Program for Performance Art Curators &#8211; NYTimes.com<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>January 21, 2011, 1:30 PM At Wesleyan, a Program for Performance Art Curators By PATRICIA COHEN As the Institute for Curatorial Practice in Performance at Wesleyan University says, performance art \u201cis first and foremost a social experience that happens on a person-to-person level.\u201d That has not stopped the institute from creating a new professional certificate [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-25718","post","type-post","status-publish","format-quote","hentry","category-words","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-6GO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/25718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=25718"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/25718\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=25718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=25718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=25718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}