{"id":24490,"date":"2011-12-23T17:51:39","date_gmt":"2011-12-23T17:51:39","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/it-isnt-a-hyperkinetic-movie-but-rather-one-of\/"},"modified":"2011-12-23T17:51:39","modified_gmt":"2011-12-23T17:51:39","slug":"it-isnt-a-hyperkinetic-movie-but-rather-one-of","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/it-isnt-a-hyperkinetic-movie-but-rather-one-of\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>It isn\u2019t a hyperkinetic movie but, rather, one of a dazzling proliferation of precise moments organized around a point of stillness, and its speed depends on a quartet of notable recognitions. First, movie-and-video-steeped viewers are more perceptive than ever, more able than ever to extract salient narrative content from an image at a glance; second, Fincher is himself able to deliver that content with a superbly analytical eye and synthetic sense of composition; third, viewers are understood to be likely to see the movie many times, after its theatrical life, on home video; and, fourth, the book on which it\u2019s based is so familiar that the details of its story can be flicked with a light brush and yet be fully and quickly grasped.<\/p><\/blockquote>\n<div class='attribution'><a href=\"http:\/\/www.newyorker.com\/online\/blogs\/movies\/2011\/12\/dragon-tattoo.html\">The Front Row: \u201cDragon Tattoo\u201d: Fast Company : The New Yorker<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>It isn\u2019t a hyperkinetic movie but, rather, one of a dazzling proliferation of precise moments organized around a point of stillness, and its speed depends on a quartet of notable recognitions. First, movie-and-video-steeped viewers are more perceptive than ever, more able than ever to extract salient narrative content from an image at a glance; second, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-24490","post","type-post","status-publish","format-quote","hentry","category-words","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-6n0","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/24490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=24490"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/24490\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=24490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=24490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=24490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}