{"id":24401,"date":"2012-01-16T17:30:05","date_gmt":"2012-01-16T17:30:05","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/sublimity-is-no-longer-in-art-but-in-speculation\/"},"modified":"2012-01-16T17:30:05","modified_gmt":"2012-01-16T17:30:05","slug":"sublimity-is-no-longer-in-art-but-in-speculation","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/sublimity-is-no-longer-in-art-but-in-speculation\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>Sublimity is no longer in art, but in speculation on art.<\/p><\/blockquote>\n<div class='attribution'>\n<p><strong>Jean-Fran\u00e7ois Lyotard<\/strong><\/p>\n<p>\u201cThe Sublime and the Avant-Garde,\u201d trans. Lisa Liebmann, Geoffrey Bennington and Marian Hobson, The Inhuman (Cambridge: Polity Press, 1991) 106.<\/p>\n<p> (via <a href=\"http:\/\/jenlindblad.tumblr.com\/\" class=\"tumblr_blog\">jenlindblad<\/a>)<\/p>\n<p>when one no longer pursues the sublime, one is left to pursue the mundane and the cotidian. Does that pursuit yet seek to elevate? Or do we echo and reinforce? (rambling thoughts in response to Lyotard from the point of view of one who makes)<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sublimity is no longer in art, but in speculation on art. Jean-Fran\u00e7ois Lyotard \u201cThe Sublime and the Avant-Garde,\u201d trans. Lisa Liebmann, Geoffrey Bennington and Marian Hobson, The Inhuman (Cambridge: Polity Press, 1991) 106. (via jenlindblad) when one no longer pursues the sublime, one is left to pursue the mundane and the cotidian. Does that pursuit [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-24401","post","type-post","status-publish","format-quote","hentry","category-words","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-6lz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/24401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=24401"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/24401\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=24401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=24401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=24401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}