{"id":24061,"date":"2012-03-20T03:47:27","date_gmt":"2012-03-20T03:47:27","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/the-new-inquiry-stalkerzona\/"},"modified":"2012-03-20T03:47:27","modified_gmt":"2012-03-20T03:47:27","slug":"the-new-inquiry-stalkerzona","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/the-new-inquiry-stalkerzona\/","title":{"rendered":"The New Inquiry: Stalker\/Zona"},"content":{"rendered":"<p><a href='http:\/\/thenewinquiry.tumblr.com\/post\/19609669084\/stalker-zona'>The New Inquiry: Stalker\/Zona<\/a><\/p>\n<div class=\"link_description\">\n<p><a href=\"http:\/\/thenewinquiry.tumblr.com\/post\/19609669084\/stalker-zona\" class=\"tumblr_blog\">thenewinquiry<\/a>:<\/p>\n<blockquote>\n<p><img decoding=\"async\" src=\"https:\/\/66.media.tumblr.com\/tumblr_m15x81JKWk1qzll1y.png\" \/><\/p>\n<p>Geoff Dyer has \u201cbroken\u201d America, as they say in Britain. This year\u2019s National Book Critics\u2019 Circle award for his collection of essays, <em>Otherwise Known as the Human Condition, <\/em>capped his rise from the occasional introducer of republished classics to a regular columnist in the <em>New York Times<\/em><\/p>\n<\/blockquote>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The New Inquiry: Stalker\/Zona thenewinquiry: Geoff Dyer has \u201cbroken\u201d America, as they say in Britain. This year\u2019s National Book Critics\u2019 Circle award for his collection of essays, Otherwise Known as the Human Condition, capped his rise from the occasional introducer of republished classics to a regular columnist in the New York Times<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[373,609],"class_list":["post-24061","post","type-post","status-publish","format-link","hentry","category-words","tag-cinema","tag-literature","post_format-post-format-link"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-6g5","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/24061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=24061"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/24061\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=24061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=24061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=24061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}