{"id":23865,"date":"2012-04-21T00:32:48","date_gmt":"2012-04-21T00:32:48","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/at-each-screening-a-computer-program-live-edits-a\/"},"modified":"2012-04-21T00:32:48","modified_gmt":"2012-04-21T00:32:48","slug":"at-each-screening-a-computer-program-live-edits-a","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/at-each-screening-a-computer-program-live-edits-a\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>At each screening, a computer program live-edits a movie out of more than three thousand film clips, eighty voice-overs, and 150 pieces of music. Each of these movable parts is marked with loosely content-related tags (\u201chorizon,\u201d \u201canxiety,\u201d \u201cwhite\u201d), and the computer fits the pieces together according to an algorithm that matches tags. Sussman calls this apparatus the \u201cserendipity machine.\u201d<\/p><\/blockquote>\n<div class='attribution'><a href=\"http:\/\/www.theparisreview.org\/blog\/2012\/04\/17\/white-noir\/\">Paris Review \u2013 White Noir, Jane Yager<\/a> IOU a hat tip<\/div>\n","protected":false},"excerpt":{"rendered":"<p>At each screening, a computer program live-edits a movie out of more than three thousand film clips, eighty voice-overs, and 150 pieces of music. Each of these movable parts is marked with loosely content-related tags (\u201chorizon,\u201d \u201canxiety,\u201d \u201cwhite\u201d), and the computer fits the pieces together according to an algorithm that matches tags. Sussman calls this [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-23865","post","type-post","status-publish","format-quote","hentry","category-words","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-6cV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/23865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=23865"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/23865\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=23865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=23865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=23865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}