{"id":23521,"date":"2012-05-23T23:32:48","date_gmt":"2012-05-23T23:32:48","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/but-these-paintings-are-abominations-unto-the-lord\/"},"modified":"2012-05-23T23:32:48","modified_gmt":"2012-05-23T23:32:48","slug":"but-these-paintings-are-abominations-unto-the-lord","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/but-these-paintings-are-abominations-unto-the-lord\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>But these paintings are abominations unto the lord of Art. They dismantle themselves. Each of these paintings \u2013 from the parrot in a cage to the blossoms and butterflies \u2013 takes on the difficulties of representational painting and visibly fails to come close, not merely to mastery, but to basic competence.<\/p><\/blockquote>\n<div class='attribution'><a href=\"http:\/\/www.guardian.co.uk\/artanddesign\/2012\/may\/22\/damien-hirst-two-weeks-review\">Damien Hirst: Two Weeks One Summer \u2013 review | Art and design | The Guardian<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>But these paintings are abominations unto the lord of Art. They dismantle themselves. Each of these paintings \u2013 from the parrot in a cage to the blossoms and butterflies \u2013 takes on the difficulties of representational painting and visibly fails to come close, not merely to mastery, but to basic competence. Damien Hirst: Two Weeks [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-23521","post","type-post","status-publish","format-quote","hentry","category-words","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-67n","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/23521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=23521"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/23521\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=23521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=23521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=23521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}