{"id":23503,"date":"2012-05-26T22:26:21","date_gmt":"2012-05-26T22:26:21","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/newyorker-richard-brody-on-what-to-see-this\/"},"modified":"2018-12-05T21:54:50","modified_gmt":"2018-12-06T04:54:50","slug":"newyorker-richard-brody-on-what-to-see-this","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/newyorker-richard-brody-on-what-to-see-this\/","title":{"rendered":""},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-23503 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/newyorker-richard-brody-on-what-to-see-this\/attachment\/23504\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_m4lavvv9nD1qav5oho1_500-100x100.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><a href=\"http:\/\/newyorker.tumblr.com\/post\/23766539208\/richard-brody-on-what-to-see-this-weekend-wes\" class=\"tumblr_blog\">newyorker<\/a>:<\/p>\n<blockquote>\n<p>Richard Brody on What to See This Weekend: Wes Anderson\u2019s \u201cMoonrise Kingdom,\u201d Twice<\/p>\n<blockquote>\n<p>What makes the film thrillingly different\u2014in content and in affect, in emotional energy and in visual imagination\u2014is its metaphysical and religious element. There\u2019s an expressly transcendent theme in \u201cMoonrise Kingdom\u201d that raises the tender and joyous story of young lovers on the run to a spiritual adventure. The moral vision of the world, which was always implicit and latent in Anderson\u2019s other films, here bursts out as a distinctive, ecstatic, visionary new cinematic dimension. Anderson has always been far more than just an exquisite stylist\u2014his style is an essential part of a consistent spiritual vision. But in \u201cMoonrise Kingdom,\u201d his world view is projected beyond personal experience into a cosmic fantasy. It\u2019s Anderson\u2019s own counter-Scripture, a vision of a moral order, ordained from on high, that challenges the official version instilled by society at large\u2014and he embodies it in images of an apt sublimity (as well as an aptly self-deprecating humor).<\/p>\n<\/blockquote>\n<p>Click-through to read the rest of <a href=\"http:\/\/www.newyorker.com\/online\/blogs\/movies\/2012\/05\/wes-anderson-moonrise-kingdom.html\">Brody\u2019s review<\/a>.\u00a0<\/p>\n<\/blockquote>\n<p>Can&rsquo;t wait for it to open here!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>newyorker: Richard Brody on What to See This Weekend: Wes Anderson\u2019s \u201cMoonrise Kingdom,\u201d Twice What makes the film thrillingly different\u2014in content and in affect, in emotional energy and in visual imagination\u2014is its metaphysical and religious element. There\u2019s an expressly transcendent theme in \u201cMoonrise Kingdom\u201d that raises the tender and joyous story of young lovers on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-23503","post","type-post","status-publish","format-gallery","hentry","category-words","post_format-post-format-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-675","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/23503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=23503"}],"version-history":[{"count":1,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/23503\/revisions"}],"predecessor-version":[{"id":23505,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/23503\/revisions\/23505"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=23503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=23503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=23503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}