{"id":18959,"date":"2013-12-17T13:27:53","date_gmt":"2013-12-17T13:27:53","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/i-first-heard-of-magiciens-de-la-terre-when-one\/"},"modified":"2013-12-17T13:27:53","modified_gmt":"2013-12-17T13:27:53","slug":"i-first-heard-of-magiciens-de-la-terre-when-one","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/i-first-heard-of-magiciens-de-la-terre-when-one\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>I first heard of \u2018Magiciens de la Terre\u2019 when one of the adjunct curators asked me if I could suggest Native American artists as the exhibition organizers had realized, rather belatedly, that they hadn\u2019t yet considered this constituency. I submitted a shortlist of names that included Jimmie Durham; however, the curators ignored these artists, providing the first clue to their understanding of the notion of \u2018cultural authenticity\u2019. At the time of the exhibition I was a reviewer for <i>Artforum<\/i>, and as such was provided with a list of possible exhibitions to cover. \u2018Magiciens\u2019 was not even on its radar; but my unsolicited coverage of the exhibition was accepted and included at the end of their \u2018review\u2019 section<\/p><\/blockquote>\n<div class='attribution'>Jean Fisher in a new postscript written for her review of \u2018Magiciens de la Terre\u2019 titled \u201cFictional Histories: \u2018Magiciens de la Terre\u2019 \u2014 The Invisible Labyrinth\u201d (1989)<\/div>\n","protected":false},"excerpt":{"rendered":"<p>I first heard of \u2018Magiciens de la Terre\u2019 when one of the adjunct curators asked me if I could suggest Native American artists as the exhibition organizers had realized, rather belatedly, that they hadn\u2019t yet considered this constituency. I submitted a shortlist of names that included Jimmie Durham; however, the curators ignored these artists, providing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-18959","post","type-post","status-publish","format-quote","hentry","category-words","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6PWot-4VN","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/18959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=18959"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/18959\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=18959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=18959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=18959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}