{"id":18795,"date":"2013-12-23T15:19:44","date_gmt":"2013-12-23T15:19:44","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/christopherschreck-this-is-the-way-your\/"},"modified":"2018-12-05T20:02:08","modified_gmt":"2018-12-06T03:02:08","slug":"christopherschreck-this-is-the-way-your","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/christopherschreck-this-is-the-way-your\/","title":{"rendered":""},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-18795 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/christopherschreck-this-is-the-way-your\/attachment\/18796\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_my8dtgFcXW1qc41cro1_640-100x100.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><a class=\"tumblr_blog\" href=\"http:\/\/christopherschreck.tumblr.com\/post\/70832567502\/this-is-the-way-your-leverage-lies-the-seth\">christopherschreck<\/a>:<\/p>\n<blockquote>\n<p><a href=\"http:\/\/www.moma.org\/interactives\/exhibitions\/2013\/siegelaub\/\">This Is The Way Your Leverage Lies: The Seth Siegelaub Papers as Institutional Critique<\/a><\/p>\n<p><em>&ldquo;This interactive exhibition examines\u00a0Siegelaub\u2019s brief but deeply influential career as gallery owner, independent curator, publisher, event facilitator, and seminal figure in the experimental and anti-establishment Conceptual art movement of the 1960s and 1970s.\u00a0His curatorial work took place both in physical spaces and, most significantly, in the form of books. Like Conceptual artists, Siegelaub explored subversive communication methods and mediums in his work and raised important questions about the making, display, ownership, distribution, and sale of art. This exhibition highlights items in The Seth Siegelaub Papers, now in The Museum of Modern Art Archives, that illustrate Siegelaub\u2019s role in empowering artists within the hierarchy of the art world.\u201d<\/em><\/p>\n<p><img decoding=\"async\" alt=\"\" src=\"http:\/\/www.moma.org\/interactives\/exhibitions\/2013\/siegelaub\/images\/xeroxbook.jpg\" \/><em>(above: mockup draft of title page of <a href=\"http:\/\/christopherschreck.tumblr.com\/post\/57144352375\/the-xerox-book-1968-a-the-xerox-book-was\">Xerox Book<\/a> (1968))<\/em><\/p>\n<p><em><img decoding=\"async\" alt=\"\" src=\"http:\/\/www.moma.org\/interactives\/exhibitions\/2013\/siegelaub\/images\/contract.jpg\" \/>(above: handwritten draft of open appeal written to artists, 1970)<\/em><\/p>\n<p><em><img decoding=\"async\" alt=\"\" src=\"http:\/\/www.moma.org\/interactives\/exhibitions\/2013\/siegelaub\/images\/contractdraft.jpg\" \/>(above: mockup draft for cover of\u00a0<\/em><em><a href=\"http:\/\/christopherschreck.tumblr.com\/post\/69978255353\/click-here-for-a-full-pdf-of-the-artists-reserved\">The Artist\u2019s Reserved Rights Transfer And Sale Agreement<\/a>\u00a0(1971))<\/em><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>christopherschreck: This Is The Way Your Leverage Lies: The Seth Siegelaub Papers as Institutional Critique &ldquo;This interactive exhibition examines\u00a0Siegelaub\u2019s brief but deeply influential career as gallery owner, independent curator, publisher, event facilitator, and seminal figure in the experimental and anti-establishment Conceptual art movement of the 1960s and 1970s.\u00a0His curatorial work took place both in physical [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-18795","post","type-post","status-publish","format-gallery","hentry","category-words","post_format-post-format-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-4T9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/18795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=18795"}],"version-history":[{"count":1,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/18795\/revisions"}],"predecessor-version":[{"id":18797,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/18795\/revisions\/18797"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=18795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=18795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=18795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}