{"id":16839,"date":"2014-05-25T02:46:23","date_gmt":"2014-05-25T02:46:23","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/elmerseason-kontam-caetano-veloso-wearing\/"},"modified":"2018-12-05T19:15:01","modified_gmt":"2018-12-06T02:15:01","slug":"elmerseason-kontam-caetano-veloso-wearing","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/elmerseason-kontam-caetano-veloso-wearing\/","title":{"rendered":""},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-16839 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/elmerseason-kontam-caetano-veloso-wearing\/attachment\/16840\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_lk4htdaze61qj3arno1_500-100x100.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><a href=\"http:\/\/elmerseason.tumblr.com\/post\/86747006071\/kontam-caetano-veloso-wearing-one-of-helio\" class=\"tumblr_blog\">elmerseason<\/a>:<\/p>\n<blockquote>\n<p><a class=\"tumblr_blog\" href=\"http:\/\/kontam.tumblr.com\/post\/4875082253\">kontam<\/a>:<\/p>\n<blockquote>\n<p><a href=\"http:\/\/solarflareark.wordpress.com\/2010\/07\/11\/sun-ra-and-helio-oiticica-agitation-and-spectacle-as-strategies-for-resistance\/\">Caetano Veloso wearing one of H\u00e9lio Oiticica\u2019s Parangol\u00e9s<\/a><\/p>\n<\/blockquote>\n<p><em>Parangol\u00e9\u00a0<\/em>is a slang Portuguese term which translates into a spectrum of ideas and events related to \u201cidleness, a sudden agitation, an unexpected situation, or a dance party.\u201d(1) Brazilian artist H\u00e9lio Oiticica (1937-1980) created textile based structures designed to be worn and activated by the wearer. Oiticica attempted to transgress the structures of class in is native Brazil by moving to the Mangueira favela (2) and joining\u00a0 the Mangueira Samba School- the oldest Samba school in Rio de Janeiro. Oiticica\u2019s parangol\u00e9 objects were inspired by the processionals produced by\u00a0 organizations like the Mangueira samba school. The first parangol\u00e9s that he created were performed by and for the members of this community. [<a href=\"http:\/\/solarflareark.wordpress.com\/2010\/07\/11\/sun-ra-and-helio-oiticica-agitation-and-spectacle-as-strategies-for-resistance\/\">read more<\/a>]<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>elmerseason: kontam: Caetano Veloso wearing one of H\u00e9lio Oiticica\u2019s Parangol\u00e9s Parangol\u00e9\u00a0is a slang Portuguese term which translates into a spectrum of ideas and events related to \u201cidleness, a sudden agitation, an unexpected situation, or a dance party.\u201d(1) Brazilian artist H\u00e9lio Oiticica (1937-1980) created textile based structures designed to be worn and activated by the wearer. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-16839","post","type-post","status-publish","format-gallery","hentry","category-words","post_format-post-format-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-4nB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/16839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=16839"}],"version-history":[{"count":1,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/16839\/revisions"}],"predecessor-version":[{"id":16841,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/16839\/revisions\/16841"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=16839"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=16839"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=16839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}