{"id":16184,"date":"2014-07-03T16:29:50","date_gmt":"2014-07-03T16:29:50","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/when-someone-lies-on-the-studio-floor-and-sings-at\/"},"modified":"2014-07-03T16:29:50","modified_gmt":"2014-07-03T16:29:50","slug":"when-someone-lies-on-the-studio-floor-and-sings-at","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/when-someone-lies-on-the-studio-floor-and-sings-at\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>When someone lies on the studio floor and sings at a microphone five feet away, Eno is in the air. When a band records three hours of improvisation and then loops a four-second excerpt of the audiotape and scraps the rest, Eno has a hand on the razor blade. When everybody except for the engineer is told to go home, Eno remains. Behind Eno stand John Cage, Marcel Duchamp, and Erik Satie, but those guys didn\u2019t make pop records.<\/p><\/blockquote>\n<div class='attribution'>\n<p class=\"p1\"><strong>Sasha Frere-Jones<\/strong> on Brian Eno\u2019s musical career: <a href=\"http:\/\/nyr.kr\/1qzFAgx\">http:\/\/nyr.kr\/1qzFAgx<\/a><\/p>\n<p>(via <a class=\"tumblr_blog\" href=\"http:\/\/newyorker.tumblr.com\/\">newyorker<\/a>)<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>When someone lies on the studio floor and sings at a microphone five feet away, Eno is in the air. When a band records three hours of improvisation and then loops a four-second excerpt of the audiotape and scraps the rest, Eno has a hand on the razor blade. When everybody except for the engineer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-16184","post","type-post","status-publish","format-quote","hentry","category-words","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-4d2","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/16184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=16184"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/16184\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=16184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=16184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=16184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}