{"id":15643,"date":"2014-08-21T23:11:55","date_gmt":"2014-08-21T23:11:55","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/rhube-laylainalaska-fuckyeahsources-nope\/"},"modified":"2018-12-05T18:43:41","modified_gmt":"2018-12-06T01:43:41","slug":"rhube-laylainalaska-fuckyeahsources-nope","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/rhube-laylainalaska-fuckyeahsources-nope\/","title":{"rendered":""},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-15643 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/rhube-laylainalaska-fuckyeahsources-nope\/attachment\/15644\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_n6kslqn5Z01qgirk6o1_1280-100x100.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/rhube-laylainalaska-fuckyeahsources-nope\/attachment\/15645\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_n6kslqn5Z01qgirk6o2_1280-100x100.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><a href=\"http:\/\/rhube.tumblr.com\/post\/95357992498\/laylainalaska-fuckyeahsources-nope-but-the\" class=\"tumblr_blog\">rhube<\/a>:<\/p>\n<blockquote>\n<p><a class=\"tumblr_blog\" href=\"http:\/\/laylainalaska.tumblr.com\/post\/89837404084\/fuckyeahsources-nope-but-the-real-story-is\">laylainalaska<\/a>:<\/p>\n<blockquote>\n<p><a class=\"tumblr_blog\" href=\"http:\/\/fuckyeahsources.tumblr.com\/post\/87748979916\/nope-but-the-real-story-is-better-bolding\">fuckyeahsources<\/a>:<\/p>\n<blockquote>\n<p><a href=\"http:\/\/www.animationartist.com\/columns\/DJohnson\/Not_Rouge\/not_rouge.html\">Nope. But the real story is better.<\/a>\u00a0Bolding mine:<\/p>\n<blockquote>\n<p>The late Ruth Thompson, a cell painter on \u201cSnow White\u201d who later became a multiplane scene planner, recalled: \u201cWe tried everything &#8211; airbrush, drybrush, <strong>even lipstick and rouge, which is perhaps the basis for the legend because we did, in fact, try it. But nothing worked.<\/strong>\u201d<\/p>\n<p>The airbrush was difficult to control on such a small area; drybrush was too harsh; lipstick and rouge unwieldy and messy. Everything proved to be impractical and all hope seemed lost to give Snow White her little bit of color when the idea of using a dye was proposed. <\/p>\n<p>Again Ms. Thompson: \u201cSomeone suggested a red dye because the blue day we added to give Donald Duck his distinctive sailor-blue never really could be washed off the cell without leaving a bluish stain where the paint had been applied.\u201d <\/p>\n<p>Ever since the mid 30\u2019s when color became the norm for all the cartoons, not just the \u201cSilly Symphonies,\u201d all paints and inks were made at the studio. During this period as well cells were routinely reused for economic reasons, thus the need to wash them off. Apparently Donald\u2019s special blue color was made with a dye added to the usual powdered pigments. \u201cSo we tried that.\u201d As the women gathered around in what must have seemed just another dead-end effort, all eyes became fixed on the red dot which soon became a small glow with no perceptible edge. The hushed silence soon gave way to sighs of relief. The method had finally been found. Now the application.<\/p>\n<p>\u2026<\/p>\n<p>Among the studio\u2019s many inkers (an extremely demanding profession), was one young lady whose training and skill was unique: Helen Ogger. Just being an inker placed one within the elite confines of this most \u201choly of holies\u201d area of the Nunnery, as the Ink and Paint Department was so called (<strong>Walt had strict and quite Victorian views that the sexes not mingle at the workplace<\/strong>, allowing no male personnel save the \u201cgofer\u201d boy and the paymaster \u201cMr.\u201d Keener to enter this domain of mostly unmarried women ). But <strong>Helen was in addition a very fine cartoonist and one of the few women at Disney\u2019s or anywhere else, who could animate.<\/strong><\/p>\n<p>\u2026<\/p>\n<p>Such a seemingly insignificant detail (as the cheek colors) might be thought not worthy of special mention<strong> (she, as well as the other inkers and painters, was given no screen credit).<\/strong> But when one adds up the number of footage required to be tinted freehand on each individual cell, the hours suddenly turn into weeks and months. In fact, such a treatment was never attempted again on such a scale and even today, the publicity stills from \u201cSnow White,\u201d most of which do not have the added blush, bear witness to how that little touch of extra care adds to the vitality we see on the screen. <\/p>\n<p>The work was done on all close-ups, most medium shots, and even on some long shots. The Queen was also similarly tinted. Hundreds of hours were needed to complete this task, arduous, repetitive and, of course, hard on the eyes. Ultimately a handful of other girls were needed to assist Helen as the clocked ticked toward the deadline.<\/p>\n<p>Helen had to place several cells together on an animation board, one atop the other, just like in the process of animation, in order to get the \u2018registration\u2019 right (the spot of red just right in relation to the preceding and following ones) &#8211; all of this without any guide. She would work out her own extremes and then \u2018animate\u2019 the blush in inbetweens. Her work deserves admiration and gratitude and it is unfortunate that her contribution has remained unknown and her anonymity unaltered during her lifetime. She was paid, as were the rest of the Inkers, $18 a week, which included a half-day on Saturday and the many, many hours of unpaid overtime \u201cSnow White\u201d would require &#8211; all given unstintingly, (by everyone involved, it should be added), to a project whose joy in participating was its own reward. <\/p>\n<p><strong>She eventually became head of Inking and Special Effects and even taught classes in animation at the studio. She left in 1941 (apparently part of the terrible strike that would leave the Disney Studio changed forever), taking her skills with her.<\/strong> She died in Glendale in February of 1980. Perhaps it is safe to say that her departure was critical to the abrupt demise of this now unique effect (it was also used, though on a much smaller scale in both \u201cPinocchio\u201d and \u201cFantasia\u201d). <strong>None of the other inkers or painters were animators and it is this fact, not just the factor of economy nor the changing tastes, which surely must be considered a reason why such details were never attempted again. The golden age was over.<\/strong><\/p>\n<\/blockquote>\n<\/blockquote>\n<p>Also, <a href=\"http:\/\/www.vanityfair.com\/culture\/features\/2010\/03\/disney-animation-girls-201003\">here\u2019s an interesting article<\/a> about female cel painters at Disney. I am now fascinated by the idea of writing something with a Depression-era cel painter as a protagonist.<\/p>\n<\/blockquote>\n<p>Wow. Thank you for helping us remember Helen Ogger! HERO. So angry these ladies weren\u2019t even in the credits.<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>rhube: laylainalaska: fuckyeahsources: Nope. But the real story is better.\u00a0Bolding mine: The late Ruth Thompson, a cell painter on \u201cSnow White\u201d who later became a multiplane scene planner, recalled: \u201cWe tried everything &#8211; airbrush, drybrush, even lipstick and rouge, which is perhaps the basis for the legend because we did, in fact, try it. But [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-15643","post","type-post","status-publish","format-gallery","hentry","category-words","post_format-post-format-gallery"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6PWot-44j","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/15643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=15643"}],"version-history":[{"count":1,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/15643\/revisions"}],"predecessor-version":[{"id":15646,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/15643\/revisions\/15646"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=15643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=15643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=15643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}