{"id":14932,"date":"2014-11-23T07:16:33","date_gmt":"2014-11-23T07:16:33","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/cavetocanvas-friendship-agnes-martin-1963\/"},"modified":"2018-12-05T18:29:08","modified_gmt":"2018-12-06T01:29:08","slug":"cavetocanvas-friendship-agnes-martin-1963","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/cavetocanvas-friendship-agnes-martin-1963\/","title":{"rendered":""},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-14932 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/cavetocanvas-friendship-agnes-martin-1963\/attachment\/14933\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_lmk3m9Ga3d1qghk7bo1_500-100x100.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_lmk3m9Ga3d1qghk7bo1_500-100x100.jpg 100w, https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_lmk3m9Ga3d1qghk7bo1_500-299x300.jpg 299w, https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_lmk3m9Ga3d1qghk7bo1_500.jpg 419w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><a class=\"tumblr_blog\" href=\"http:\/\/www.cavetocanvas.com\/post\/6392068942\/friendship-agnes-martin-1963-from-momas\">cavetocanvas<\/a>:<\/p>\n<blockquote>\n<p><em>Friendship &#8211; <\/em>Agnes Martin, 1963<\/p>\n<p>From MoMA\u2019s website:<\/p>\n<blockquote>\n<p>A grid connotes regulation and regularity, and therefore the human hand: natural forms as uniform as these patterns of evenly spaced horizontal and vertical straight lines are seldom visible to the unaided eye. In\u00a0<em>Friendship<\/em>\u00a0and other works, however, Martin draws a grid that somehow both softens the firm lines of geometry and seems to open onto a space far wider than the human sphere. Her art, she has said, \u201cis about what is known forever in the mind\u201d\u2014perfection, the transcendent reality spoken of in Eastern religions. For her, the grid evokes not a human measure but a supernal one, a boundless order.<\/p>\n<\/blockquote>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>cavetocanvas: Friendship &#8211; Agnes Martin, 1963 From MoMA\u2019s website: A grid connotes regulation and regularity, and therefore the human hand: natural forms as uniform as these patterns of evenly spaced horizontal and vertical straight lines are seldom visible to the unaided eye. In\u00a0Friendship\u00a0and other works, however, Martin draws a grid that somehow both softens the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-14932","post","type-post","status-publish","format-gallery","hentry","category-words","post_format-post-format-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-3SQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/14932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=14932"}],"version-history":[{"count":1,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/14932\/revisions"}],"predecessor-version":[{"id":14934,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/14932\/revisions\/14934"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=14932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=14932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=14932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}