{"id":13931,"date":"2015-03-07T22:58:17","date_gmt":"2015-03-07T22:58:17","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/doris-salcedo-mca-chicago\/"},"modified":"2015-03-07T22:58:17","modified_gmt":"2015-03-07T22:58:17","slug":"doris-salcedo-mca-chicago","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/doris-salcedo-mca-chicago\/","title":{"rendered":"Doris Salcedo | MCA Chicago"},"content":{"rendered":"<p><a href='http:\/\/www2.mcachicago.org\/exhibition\/doris-salcedo\/'>Doris Salcedo | MCA Chicago<\/a><\/p>\n<div class=\"link_description\">\n<p><a href=\"http:\/\/theoffingmag.tumblr.com\/post\/113006576381\/doris-salcedo-mca-chicago\" class=\"tumblr_blog\">theoffingmag<\/a>:<\/p>\n<blockquote>\n<p><i>Editor of the The Offing\u2019s Dead Letter Office, Leslie Parry, speaks to her current obsession with the first retrospective of Doris Salcedo\u2019s art.<\/i><\/p>\n<p>I can\u2019t stop thinking about the Doris Salcedo retrospective at the MCA. Salcedo, a native of Colombia, creates sculptures from everyday materials: wood, cement, grass, furniture, human hair. They are elegies of absence, honoring those lost to political violence and civil unrest. Particularly haunting is <i>A Flor de Piel<\/i>, a funereal shroud composed of 250,000 rose petals, stitched together by hand.<\/p>\n<p><\/p>\n<\/blockquote>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Doris Salcedo | MCA Chicago theoffingmag: Editor of the The Offing\u2019s Dead Letter Office, Leslie Parry, speaks to her current obsession with the first retrospective of Doris Salcedo\u2019s art. I can\u2019t stop thinking about the Doris Salcedo retrospective at the MCA. Salcedo, a native of Colombia, creates sculptures from everyday materials: wood, cement, grass, furniture, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-13931","post","type-post","status-publish","format-link","hentry","category-words","post_format-post-format-link"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-3CH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/13931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=13931"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/13931\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=13931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=13931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=13931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}