{"id":12838,"date":"2015-04-29T13:34:05","date_gmt":"2015-04-29T13:34:05","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/art-historians-and-academics-have-pointed-out-that\/"},"modified":"2015-04-29T13:34:05","modified_gmt":"2015-04-29T13:34:05","slug":"art-historians-and-academics-have-pointed-out-that","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/art-historians-and-academics-have-pointed-out-that\/","title":{"rendered":""},"content":{"rendered":"<blockquote><p>Art historians and academics have pointed out that in 1917 Duchamp wrote to his sister, recounting how \u2018one of my female friends under a masculine pseudonym, Richard Mutt, sent in a porcelain urinal as a sculpture\u2019. Duchamp revealed that this model of urinal wasn\u2019t even in production at the factory where he claimed to have picked it up; and that this artwork bore a more than passing similarity to the Elsa von Freytag-Loringhoven readymade sculpture called God, both in appearance and concept.<\/p><\/blockquote>\n<div class='attribution'><a href=\"http:\/\/www.theguardian.com\/commentisfree\/2014\/nov\/07\/duchamp-elsa-freytag-loringhoven-urinal-sexual-politics-art\">Duchamp and the pissoir-taking sexual politics of the avant-garde | Nell Frizzell | Comment is free | The Guardian<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Art historians and academics have pointed out that in 1917 Duchamp wrote to his sister, recounting how \u2018one of my female friends under a masculine pseudonym, Richard Mutt, sent in a porcelain urinal as a sculpture\u2019. Duchamp revealed that this model of urinal wasn\u2019t even in production at the factory where he claimed to have [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"quote","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-12838","post","type-post","status-publish","format-quote","hentry","category-words","post_format-post-format-quote"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-3l4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/12838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=12838"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/12838\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=12838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=12838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=12838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}