{"id":12825,"date":"2015-04-30T21:30:59","date_gmt":"2015-04-30T21:30:59","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/hyperallergic-in-the-60s-photographers\/"},"modified":"2018-12-05T17:33:06","modified_gmt":"2018-12-06T00:33:06","slug":"hyperallergic-in-the-60s-photographers","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/hyperallergic-in-the-60s-photographers\/","title":{"rendered":""},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-12825 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/hyperallergic-in-the-60s-photographers\/duane-michals-grandpa-goes-to-heaven-1989-spread-from-storyteller-all-photos-by-the-author-for-hyperallergic\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_nnmhyz4DIW1qzaos7o1_1280-100x100.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-12826\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-12826'>\n\t\t\t\tDuane Michals, \u201cGrandpa Goes to Heaven\u201d (1989), spread from \u2018Storyteller\u2019 (all photos by the author for Hyperallergic)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/hyperallergic-in-the-60s-photographers\/duane-michals-the-return-of-the-prodigal-son-1982\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_nnmhyz4DIW1qzaos7o2_1280-100x100.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-12827\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-12827'>\n\t\t\t\tDuane Michals, \u201cThe Return of the Prodigal Son\u201d (1982)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/rafaelfajardo.com\/portfolio\/hyperallergic-in-the-60s-photographers\/quote-from-duane-michals-included-in-storyteller\/'><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/rafaelfajardo.com\/portfolio\/wp-content\/uploads\/tumblr_nnmhyz4DIW1qzaos7o3_1280-100x100.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-12828\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-12828'>\n\t\t\t\tQuote from Duane Michals included in \u2018Storyteller\u2019\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p><a class=\"tumblr_blog\" href=\"http:\/\/hyperallergic.tumblr.com\/post\/117785830002\/in-the-60s-photographers-anxious-about-the-art\">hyperallergic<\/a>:<\/p>\n<blockquote>\n<p>In the \u201960s, photographers anxious about the art form\u2019s legitimacy set out to distinguish fine art from documentary practices. Photographer Duane Michals has shattered these preconceptions about photography throughout his career. Profiled in <i>Storyteller<\/i>, a book by Linda Benedict-Jones, released by Carnegie Museum of Art to coincide with last year\u2019s retrospective of the same name, offers a survey on the unorthodox methods which separates Michals from his contemporaries. In the book, Michals speculates on why his work was so unique in the art world: \u201cI never went to a photography school, which was my saving grace. I didn\u2019t know that you weren\u2019t supposed to write on a photograph, and I didn\u2019t have to unlearn all the rules that school teach you.\u201d\u00a0<\/p>\n<p><b><a href=\"http:\/\/hyperallergic.com\/199113\/still-photographs-that-convey-the-passage-of-time\/\">Still Photographs that Convey the Passage of Time<\/a><\/b><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>hyperallergic: In the \u201960s, photographers anxious about the art form\u2019s legitimacy set out to distinguish fine art from documentary practices. Photographer Duane Michals has shattered these preconceptions about photography throughout his career. Profiled in Storyteller, a book by Linda Benedict-Jones, released by Carnegie Museum of Art to coincide with last year\u2019s retrospective of the same [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[],"class_list":["post-12825","post","type-post","status-publish","format-gallery","hentry","category-words","post_format-post-format-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-3kR","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/12825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=12825"}],"version-history":[{"count":1,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/12825\/revisions"}],"predecessor-version":[{"id":12829,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/12825\/revisions\/12829"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=12825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=12825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=12825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}