{"id":11931,"date":"2015-08-05T23:49:11","date_gmt":"2015-08-05T23:49:11","guid":{"rendered":"http:\/\/rafaelfajardo.com\/portfolio\/social-justice-and-the-digital-humanities\/"},"modified":"2015-08-05T23:49:11","modified_gmt":"2015-08-05T23:49:11","slug":"social-justice-and-the-digital-humanities","status":"publish","type":"post","link":"https:\/\/rafaelfajardo.com\/portfolio\/social-justice-and-the-digital-humanities\/","title":{"rendered":"Social Justice and the Digital Humanities"},"content":{"rendered":"<p><a href='http:\/\/criticaldh.roopikarisam.com\/'>Social Justice and the Digital Humanities<\/a><\/p>\n<div class=\"link_description\">\n<p>The living document on this site, \u201cCreative and Critical Precepts for Digital Humanities Projects,\u201d emerged from the De\/Post\/Colonial Digital Humanities course at HILT 2015. The course originated when Jennifer Guiliano and Trevor Mu\u00f1oz invited Roopika Risam to teach a course on postcolonial approaches to the digital humanities for HILT. Roopika requested micha c\u00e1rdenas as her co-instructor, and the two designed a course that blended theory and praxis, following Frantz Fanon\u2019s mandate, \u201cWe must discuss, we must invent\u201d in The Wretched of the Earth (1963). <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Social Justice and the Digital Humanities The living document on this site, \u201cCreative and Critical Precepts for Digital Humanities Projects,\u201d emerged from the De\/Post\/Colonial Digital Humanities course at HILT 2015. The course originated when Jennifer Guiliano and Trevor Mu\u00f1oz invited Roopika Risam to teach a course on postcolonial approaches to the digital humanities for HILT. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"link","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10],"tags":[],"class_list":["post-11931","post","type-post","status-publish","format-link","hentry","category-words","post_format-post-format-link"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p6PWot-36r","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/11931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/comments?post=11931"}],"version-history":[{"count":0,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/posts\/11931\/revisions"}],"wp:attachment":[{"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/media?parent=11931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/categories?post=11931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rafaelfajardo.com\/portfolio\/wp-json\/wp\/v2\/tags?post=11931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}