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Watching final Km of La Vuelta with my dad (at Parque Principal- Rivera, Huila)
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Watching final Km of La Vuelta with my dad (at Parque Principal- Rivera, Huila)
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How many containers per year leave active service in Maersk Line? 50,000–60,000 each year, and more in the coming years. The second life of containers (via iamdanw)
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How many containers per year leave active service in Maersk Line? 50,000–60,000 each year, and more in the coming years. The second life of containers (via iamdanw)
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The great debate: why galleries could take even more money from their artists
The great debate: why galleries could take even more money from their artists Article presents many views of the tension between artists, gallerists, collectors, and the market the create together.
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The great debate: why galleries could take even more money from their artists
The great debate: why galleries could take even more money from their artists Article presents many views of the tension between artists, gallerists, collectors, and the market the create together.
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It has been painful recently to watch intelligent, sensitive people in the arts from different racial, ethnic and gender backgrounds tear each other apart over the lack of diversity in a system that is oriented around the tastes and preferences of the (very white, very male, very rich) ruling class in the US. Artistic success…
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It has been painful recently to watch intelligent, sensitive people in the arts from different racial, ethnic and gender backgrounds tear each other apart over the lack of diversity in a system that is oriented around the tastes and preferences of the (very white, very male, very rich) ruling class in the US. Artistic success…
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In 2005, I already knew about this narrow MFA-to-market pipeline. I was in an anti-art fair at Parker’s Box in Williamsburg, wh ere I met a performance artist. He confided that he was the only person in his MFA cohort at Columbia who didn’t sell work in a recent open studio. He was the only…
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In 2005, I already knew about this narrow MFA-to-market pipeline. I was in an anti-art fair at Parker’s Box in Williamsburg, wh ere I met a performance artist. He confided that he was the only person in his MFA cohort at Columbia who didn’t sell work in a recent open studio. He was the only…