It is in the narratives and the psalms. Beginning with the Exodus narrative and the Elijah narrative and the Jesus narrative, they are all storied about public transformation that happened by courage of uncredentialed people. These kinds of narratives feed our imagination and give us energy and courage. As the civil rights movement of the 1960s and ‘70s understood, singing is a way to keep your nerve. If you think about the Song of Miriam or those dangerous songs (many of which are in the mouths of women) we are invited to join that kind of singing which is a refusal to accept the dominant definitions of reality. Such singing and storytelling is an insistence that there is another way to experience the world and there is another way to act in the world. These are very important models and authorizations for us.