THE MIX, from LOOP 18, one of my randomly generated PostScript code art sketchbooks.
Exquisite Corpses – pg 49 – by Rafael Fajardo
The party told you to reject the evidence of your eyes and ears. It was their final, most essential command.
| George Orwell, 1984
Just remember what you’re seeing and what you’re reading is not what’s happening.
| Donald Trump
The Artist as Curator: An Anthology
Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. The Artist as Curator: An Anthology, born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s foremost curators and illustrated with rare documents and illustrations.
Artists featured include the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broothaers; John Cage; Judy Chicago, Miriam Schapiro and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; and Andy Warhol, among other examples drawn from around the globe.
Cyrus Highsmith – Products Of A Thinking Hand
I have always loved to draw. When I first encountered type design, I discovered a very pure form of drawing. Its about contour, and edges, and, most of all, shapes. Black and white shapes. For me, this is drawing distilled down to its essence.“” Cyrus Highsmith.
taking on a CyberCultures class at the last minute and I’m all like… [my LatinX Futurism(s) & SciFi class didn’t make it’s minimum enrollment]