This v1b3 project was curated by Mat Rappaport and Gail Rubini, Conrad Gleber, Ivan Martinez, and Chris Manzione. It was part of the College Art Association 2016 national conference. The exhibition catalog, linked below, includes an essay by Tiffany Funk. My code drawings in Hopscotch were included in this collection.
Here it is, my long winded tutorial, complete with some step by step action. I see a lot of people talk about wanting to diversify their artwork but not knowing how. This is my help to you. You really should take the time to invest in learning diverse eye shapes as diverse artwork always makes you a better artist. And frankly I’m really tired of drawing tutorials that talk up character diversity but only have the stereotypical “one Asian eye”.
I did some step by steps for those three diagrams, but I actually got them from this blog which has 14 of those examples! (Bonus: it’s a makeup blog so if you need help with that or want some idea of how to shade these eyes, there ya go)
We control the world basically because we are the only animals that can cooperate flexibly in very large numbers. And if you examine any large-scale human cooperation, you will always find that it is based on some fiction like the nation, like money, like human rights. These are all things that do not exist objectively, but they exist only in the stories that we tell and that we spread around. This is something very unique to us, perhaps the most unique feature of our species.
Yuval Harari, Sapiens: A Brief History of Humankind
I’m enjoying Vitebsky’s work – more of an anthropology work than many non-fiction award winners – and the dominant sense is the forcible collapse of the nomadic Tungus pastoralists in the last half of the 20th century by imperial Soviet Russia.
Rereading an old Delany space opera from the mid sixties with strong linguistics theme: a poet/linguist encounters fragments of an ET language that changes the way her mind works. A precursor to some of the thinking behind Snow Crash. I’m halfway through, and thankfully I don’t recall what happens.
The Link Art Center is proud to present Dadaclub.online, an online initiative that will develop for over a year, and that wants to celebrate the dada legacy in the centenary of dada’s birth, that took place in Zurich on February 5, 1916.
With Vuk Cosic, Domenico Barra, Jan Robert Leegte, Pier Giorgio De Pinto, Intimidad Romero, Stéphane Mroczkowski and more
__
The Link Art Center is a curatorial platform promoting artistic research with new technologies and critical reflections on the core issues of the information age, by organizing exhibitions and online projects, publishing books and networking with individuals and institutions worldwide. The Link Art Center is part of Masters & Servers. Networked Cultures in the Post-Digital Age, a European adventure focused on a new generation of digital interventionism, awarded with a Creative Europe 2014 – 2020 grant. Up to August 2016, Masters & Servers will explore networked culture in the post-digital age.
